Ed Emshwiller
Known For
Directing
Gender
Male
Birthday
Feb 16, 1925 (101 years old)
Place of Birth
Lansing, Michigan
Biography
Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.
Known For
| 1997 | Birth of a Nation | |
| 1985 | Home Movies 1971-81 | |
| 1976 | Family FocusHimself | |
| 1976 | Lost, Lost, LostSelf | |
| 1975 | Solstice and Solyanka | |
| 1973 | Painters Painting | |
| 1973 | Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” | |
| 1968 | Diaries, Notes, and SketchesSelf | |
| 1966 | GalaxieSelf | |
| 1963 | Hallelujah the HillsGideon |
| 1987 | HungersDirector | |
| 1984 | Skin MatrixDirector | |
| 1984 | Skin Matrix SDirector | |
| 1979 | SunstoneDirector | |
| 1979 | EclipseDirector | |
| 1978 | DubsDirector | |
| 1977 | Sur FacesDirector | |
| 1976 | Self-TrioDirector | |
| 1976 | New England Visions Past and FutureDirector | |
| 1976 | Family FocusDirector | |
| 1975 | Inside EdgesDirector | |
| 1974 | Crossings and MeetingsDirector | |
| 1973 | ChrysalisDirector | |
| 1973 | Pilobolus and JoanDirector | |
| 1973 | Positive Negative Electronic FacesDirector | |
| 1973 | IdentitiesDirector | |
| 1972 | Scape-MatesDirector | |
| 1972 | ThermogenesisDirector | |
| 1972 | Woe Oh Ho NoDirector | |
| 1972 | Computer Graphics #1Director | |
| 1971 | Film with Three DancersDirector | |
| 1971 | Choice Chance Woman DanceDirector | |
| 1970 | CarolDirector | |
| 1970 | BranchesDirector | |
| 1970 | ImagesDirector | |
| 1969 | Image, Flesh and VoiceDirector | |
| 1968 | Project ApolloDirector | |
| 1967 | FusionDirector | |
| 1966 | RelativityDirector | |
| 1966 | Art Scene USADirector | |
| 1966 | In Three ZonesDirector | |
| 1965 | George Dumpson's PlaceDirector | |
| 1965 | Faces of AmericaDirector | |
| 1964 | ScramblesDirector | |
| 1963 | ThanatopsisDirector | |
| 1963 | TotemDirector | |
| 1963 | Freedom MarchDirector | |
| 1960 | LifelinesDirector | |
| 1959 | Dance ChromaticDirector | |
| 1959 | TransformationDirector | |
| 1958 | Paintings by Ed EmshwillerDirector | |
| 1958 | Big VacationDirector | |
| 1958 | MonstersDirector | |
| 1956 | The Thing from Back IssuesDirector |
| 1979 | SunstoneWriter | |
| 1972 | Scape-MatesWriter |
| 1980 | The Lathe of HeavenSpecial Effects | |
| 1976 | Family FocusCinematography | |
| 1973 | Painters PaintingCinematography | |
| 1973 | ChrysalisCinematography | |
| 1971 | MillhouseCinematography | |
| 1970 | CarolCinematography | |
| 1970 | ReportCinematography | |
| 1969 | Jr. Star TrekCinematography | |
| 1965 | Film Magazine of the ArtsCinematography | |
| 1963 | The ExistentialistCinematography | |
| 1963 | Hallelujah the HillsCinematography | |
| 1962 | The Streets of GreenwoodCinematography | |
| 1962 | Time of the HeathenCinematography |









