Vlado Kristl
Known For
Directing
Gender
Male
Birthday
Jan 24, 1923 (103 years old)
Place of Birth
Zagreb
Biography
Vladislav "Vlado" Kristl (24 January 1923, Zagreb, Croatia – 7 July 2004, Munich, Germany) was a filmmaker and artist, best known for his animations and short films. Vladislav "Vlado" Kristl was born 24 January 1923 in Zagreb, Croatia.[citation needed] Kristl first came to international prominence for his formally challenging and rigorous animations, particularly Don Kihot (freely inspired by Cervantes' Don Quixote). The film is a "graphical and abstract masterpiece which went beyond all existing conventions" and was awarded the main prize at the Oberhausen International Short Film Festival. Kristl regarded this film, which was not his first, as the one where he "was finally given a free rein". In 1962 Kristl made General i resni clovek (The General and the real man), a satirical live action short film which got him into trouble with the board of censors. He died in 2004, aged 81, in Munich, Germany. With his partner Jelena he had two children, Madeleine (b. 1966) and Pepe Stephan (b. 1968). He published two books of poetry: Neznatna lirika (Insignificant lyrics, 1959), and Pet bijelih stepenica (Five white steps, 1961) in Croatian, and several books in German.
Known For
| 1967 | Neuer Deutscher Film Report | |
| 1966 | The Letter | |
| 1965 | Car Race | |
| 1965 | ...Geist und ein wenig GlückHimself | |
| 1964 | The DamDer 'Clown' | |
| 1964 | The Pot | |
| 1963 | Poor People | |
| 1962 | The General |
| 1971 | The Film of the AuthorityProducer | |
| 1968 | A Pad of 100 LeavesProducer |
| 2003 | Conference of the HomelessDirector | |
| 2002 | Art Is Only Outside Human SocietyDirector | |
| 1994 | One Half of Wealth for One Half of BeautyDirector | |
| 1993 | When People Were Still Living for Personal ReasonsDirector | |
| 1990 | School of the PostmodernDirector | |
| 1988 | The Last CloneDirector | |
| 1984 | Tod dem ZuschauerDirector | |
| 1982 | Die Verräter des Jungen deutschen Films schlafen nicht!Director | |
| 1971 | Tiger CageDirector | |
| 1971 | The Film of the AuthorityDirector | |
| 1970 | Film or PowerDirector | |
| 1969 | Italian CapriccioDirector | |
| 1969 | Films That Last SecondsDirector | |
| 1968 | A Pad of 100 LeavesDirector | |
| 1967 | UtopiaDirector | |
| 1966 | The LetterDirector | |
| 1966 | PrometheusDirector | |
| 1965 | Car RaceDirector | |
| 1964 | The DamDirector | |
| 1964 | The PotDirector | |
| 1963 | Poor PeopleDirector | |
| 1963 | Madeleine, MadeleineDirector | |
| 1962 | Don QuixoteDirector | |
| 1962 | The GeneralDirector | |
| 1960 | Shagreen LeatherDirector | |
| 1959 | All the Drawings of the TownDirector | |
| 1959 | Theft of JewelsDirector |
| 2003 | Conference of the HomelessWriter | |
| 2002 | Art Is Only Outside Human SocietyWriter | |
| 1994 | One Half of Wealth for One Half of BeautyWriter | |
| 1993 | When People Were Still Living for Personal ReasonsWriter | |
| 1990 | School of the PostmodernWriter | |
| 1988 | The Last CloneWriter | |
| 1984 | Tod dem ZuschauerWriter | |
| 1971 | The Film of the AuthorityWriter | |
| 1970 | Film or PowerWriter | |
| 1969 | Films That Last SecondsWriter | |
| 1968 | A Pad of 100 LeavesWriter | |
| 1967 | UtopiaWriter | |
| 1966 | The LetterWriter | |
| 1966 | PrometheusWriter | |
| 1965 | Car RaceWriter | |
| 1964 | The DamWriter | |
| 1964 | The PotWriter | |
| 1963 | Poor PeopleWriter | |
| 1963 | Madeleine, MadeleineWriter | |
| 1962 | Don QuixoteWriter | |
| 1962 | The GeneralWriter |
| 1971 | The Film of the AuthorityCinematography | |
| 1968 | A Pad of 100 LeavesCinematography |






