Chantal Akerman
Known For
Directing
Gender
Female
Birthday
Jun 6, 1950 (76 years old)
Place of Birth
Brussels, Belgium
Biography
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Known For
| 2024 | Chantal Akerman: Always on the RoadSelf (archive footage) | |
| 2024 | In Her Own WordsSelf | |
| 2022 | Autour de La Folie AlmayerSelf | |
| 2021 | Son chantSelf | |
| 2021 | Morceaux de Cannes | |
| 2020 | Delphine and CaroleSelf (archive footage) | |
| 2017 | Porto(voice) | |
| 2016 | No Home MovieSelf | |
| 2016 | My Name is Chantal AkermanSelf | |
| 2016 | But Elsewhere Is Always BetterSelf | |
| 2016 | On BelongingSelf | |
| 2015 | I Don't Belong Anywhere: The Cinema of Chantal AkermanSelf | |
| 2015 | What Lies Beneath the SkyNarrator(voice) | |
| 2013 | What Is Cinema?Self | |
| 2013 | Chantal AkermanSelf | |
| 2012 | My Mother Laughs PreludeSelf | |
| 2011 | GuestSelf | |
| 2010 | Chantal Akerman, From HereSelf | |
| 2010 | Sodankylä ForeverSelf | |
| 2009 | Maniac SummerSelf | |
| 2009 | The Art of TimeSelf | |
| 2007 | Interview with Aurore ClémentSelf | |
| 2007 | Interview with Babette MangolteSelf | |
| 2007 | Interview with my mother, Natalia AkermanSelf | |
| 2006 | Down ThereSelf (voice) | |
| 2004 | Making of Tomorrow We Moveself | |
| 2003 | From the Other SideSelf (Narrator - Interviewer) | |
| 1997 | Chantal Akerman by Chantal AkermanSelf | |
| 1997 | The Day When...Self | |
| 1997 | Birth of a NationSelf | |
| 1990 | Pictures of EuropeSelf | |
| 1989 | The Ministries of ArtSelf | |
| 1989 | One Day Pina Asked...Self (uncredited) | |
| 1988 | Calling the ShotsSelf | |
| 1987 | L'inhumaine- | |
| 1986 | Seven Women, Seven SinsFilm Director (segment Portrait d'une Paresseuse) | |
| 1986 | Portrait of a Lazy Woman | |
| 1986 | Mallet-Stevens Street | |
| 1985 | She Spent So Many Hours Under the Sun Lamps | |
| 1984 | Family BusinessSelf | |
| 1984 | Letter from a Filmmaker: Chantal AkermanSelf | |
| 1984 | De droomproducentenSelf | |
| 1983 | The Man with the SuitcaseThe Woman | |
| 1980 | Tell MeSelf | |
| 1977 | News from HomeNarrator (voice) | |
| 1976 | Jeanne Dielman, 23, quai du Commerce, 1080 BruxellesNeighbor (voice) (uncredited) | |
| 1976 | Chantal Akerman: An InterviewChantal Akerman | |
| 1975 | Autour de Jeanne DielmanSelf | |
| 1975 | Les Rendez-vous du dimancheSelf | |
| 1974 | Je Tu Il ElleJulie | |
| 1974 | ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen | |
| 1972 | La chambreSelf - On her bed | |
| 1971 | The Beloved Child, or I Play at Being a Married WomanHerself (uncredited) | |
| 1970 | Untitled | |
| 1968 | Saute ma villeThe girl | |
| 1967 | Knokke: une petite fiction 2Self | |
| 1967 | Examen d'entrée INSAS |
| 2016 | No Home MovieProducer | |
| 2012 | Almayer's FollyProducer | |
| 2000 | No VladimirSupervising Producer | |
| 1974 | Je Tu Il ElleProducer | |
| 1973 | Hotel MontereyProducer | |
| 1971 | The Beloved Child, or I Play at Being a Married WomanProducer |
| 2016 | No Home MovieDirector | |
| 2015 | NowDirector | |
| 2012 | Almayer's FollyDirector | |
| 2012 | My Mother Laughs PreludeDirector | |
| 2010 | On bosse ici! On vit ici! On reste ici!Co-Director | |
| 2009 | East with Sonia Wieder-AthertonDirector | |
| 2009 | Maniac SummerDirector | |
| 2007 | The State of the WorldDirector | |
| 2007 | Nightfall in ShanghaiDirector | |
| 2007 | Interview with Aurore ClémentDirector | |
| 2007 | Interview with Babette MangolteDirector | |
| 2007 | Interview with my mother, Natalia AkermanDirector | |
| 2006 | Down ThereDirector | |
| 2004 | Tomorrow We MoveDirector | |
| 2004 | Making of Tomorrow We MoveDirector | |
| 2003 | From the Other SideDirector | |
| 2003 | With Sonia Wieder-AthertonDirector | |
| 2000 | The CaptiveDirector | |
| 1999 | SouthDirector | |
| 1997 | Chantal Akerman by Chantal AkermanDirector | |
| 1997 | The Day When...Director | |
| 1996 | A Couch in New YorkDirector | |
| 1994 | Portrait of a Young Girl at the End of the 60s in BrusselsDirector | |
| 1994 | All the Boys and Girls of Their TimeDirector | |
| 1993 | From the EastDirector | |
| 1993 | Moving InDirector | |
| 1993 | MonologuesDirector | |
| 1991 | Against OblivionDirector | |
| 1991 | Night and DayDirector | |
| 1991 | For Febe Elisabeth Velasquez, El SalvadorDirector | |
| 1989 | One Day Pina Asked...Director | |
| 1989 | American Stories: Food, Family and PhilosophyDirector | |
| 1989 | Three Stanzas on the Name of SacherDirector | |
| 1989 | Franz Schubert's Last Three Piano SonatasDirector | |
| 1986 | Golden EightiesDirector | |
| 1986 | The HammerDirector | |
| 1986 | Seven Women, Seven SinsDirector | |
| 1986 | Letters HomeDirector | |
| 1986 | Portrait of a Lazy WomanDirector | |
| 1986 | Mallet-Stevens StreetDirector | |
| 1985 | The EightiesDirector | |
| 1984 | Paris Seen By... 20 Years AfterDirector | |
| 1984 | Family BusinessDirector | |
| 1984 | I'm Hungry, I'm ColdDirector | |
| 1984 | Letter from a Filmmaker: Chantal AkermanDirector | |
| 1983 | The Man with the SuitcaseDirector | |
| 1982 | Toute une nuitDirector | |
| 1982 | Hôtel des AcaciasDirector | |
| 1980 | Tell MeDirector | |
| 1978 | The Meetings of AnnaDirector | |
| 1977 | News from HomeDirector | |
| 1976 | Jeanne Dielman, 23, quai du Commerce, 1080 BruxellesDirector | |
| 1974 | Je Tu Il ElleDirector | |
| 1973 | Hotel MontereyDirector | |
| 1973 | Le 15/8Director | |
| 1973 | Hanging Out YonkersDirector | |
| 1972 | La chambreDirector | |
| 1971 | The Beloved Child, or I Play at Being a Married WomanDirector | |
| 1970 | UntitledDirector | |
| 1968 | Saute ma villeDirector | |
| 1967 | Knokke: une petite fictionDirector | |
| 1967 | Bruxelles: La soeur et la mère de MarilynDirector | |
| 1967 | Knokke: une petite fiction 2Director | |
| 1967 | Bruxelles: à la Foire du MidiDirector | |
| 1967 | Examen d'entrée INSASDirector |
| 2016 | No Home MovieWriter | |
| 2012 | Almayer's FollyWriter | |
| 2006 | Down ThereWriter | |
| 2004 | Tomorrow We MoveWriter | |
| 2003 | From the Other SideWriter | |
| 2000 | The CaptiveWriter | |
| 1999 | SouthWriter | |
| 1997 | The Day When...Writer | |
| 1996 | A Couch in New YorkScreenplay | |
| 1996 | A Couch in New YorkDialogue | |
| 1994 | Portrait of a Young Girl at the End of the 60s in BrusselsWriter | |
| 1993 | From the EastWriter | |
| 1993 | Moving InWriter | |
| 1991 | Night and DayWriter | |
| 1986 | Seven Women, Seven SinsWriter | |
| 1986 | Golden EightiesWriter | |
| 1986 | Portrait of a Lazy WomanWriter | |
| 1986 | Mallet-Stevens StreetWriter | |
| 1985 | The EightiesWriter | |
| 1984 | Family BusinessWriter | |
| 1983 | The Man with the SuitcaseWriter | |
| 1982 | Toute une nuitScreenplay | |
| 1978 | The Meetings of AnnaWriter | |
| 1977 | News from HomeWriter | |
| 1976 | Jeanne Dielman, 23, quai du Commerce, 1080 BruxellesWriter | |
| 1974 | Je Tu Il ElleWriter | |
| 1973 | Hotel MontereyWriter | |
| 1973 | Hanging Out YonkersWriter | |
| 1973 | Le 15/8Writer | |
| 1972 | La chambreWriter | |
| 1971 | The Beloved Child, or I Play at Being a Married WomanWriter |
| 2010 | Les variations DielmanThanks | |
| 2009 | Maniac SummerCinematography | |
| 2006 | Down ThereCinematography |














