Takahiko Iimura
Known For
Directing
Gender
Male
Birthday
Feb 20, 1937 (89 years old)
Place of Birth
Tokyo, Japan
Biography
Takahiko Iimura has been a pioneer artist of Japanese experimental film and video, working with film since l960 and with video since 1970 while residing in New York and Tokyo. He is a widely established international artist, having numerous solo exhibitions in major museums such as the Museum of Modern Art, New York, the Whitney Museum, New York, Anthology Film Archives, New York, Centre George Pompidou, Paris, the National Gallery Jeu de Paume, Paris, Palais des Beaux-Arts, Brussels, Reina Sofia National Museum, Madrid, and the Tokyo Metropolitan Museum of Photography, Tokyo in addition to an artist residency at the German Academy of Arts, Berlin, and Bellagio Rockefeller Foundation Study Center, Bellagio, Italy.
Known For
| 2013 | KIKAIDE MIRUKOTO = Eye Machine / To See by Chance –The Pioneers of Japanese Video Arts– | |
| 2012 | Film Workshop In SANGENJAYA - Summer | |
| 2011 | Associations of Silverpencils | |
| 2002 | Un Ange Passe | |
| 1997 | Birth of a NationSelf | |
| 1993 | A I U E O NN Six Features | |
| 1985 | Home Movies 1971-81 | |
| 1978 | Four Shadows | |
| 1969 | FilmmakersHimself |
| 1972 | Yoko Ono: This Is Not HereProducer | |
| 1963 | OnanProducer |
| 2023 | Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973Director | |
| 2011 | Associations of SilverpencilsDirector | |
| 2008 | A Rock In The LightDirector | |
| 2004 | Ma: The Stones Haved MovedDirector | |
| 2003 | I am (Not) SeenDirector | |
| 1996 | Sky and GroundDirector | |
| 1995 | As I See You You See MeDirector | |
| 1995 | This Is a Camera Which Shoots ThisDirector | |
| 1993 | A I U E O NN Six FeaturesDirector | |
| 1991 | Concept tape 3 (Performance)Director | |
| 1991 | Concept Tapes 1Director | |
| 1991 | Concept Tapes 2Director | |
| 1991 | Fluxus ReplayedDirector | |
| 1990 | To The Garden of Water LiliesDirector | |
| 1989 | MA: Space/Time in the Garden of Ryoan-jiDirector | |
| 1989 | New York Day and Night: A Journey through Light and DarknessDirector | |
| 1989 | The Making of MA in Ryoan-jiDirector | |
| 1989 | Scared to DeathDirector | |
| 1989 | Monet Garden SynthesizedDirector | |
| 1987 | I Love YouDirector | |
| 1987 | Double PortraitDirector | |
| 1985 | John Cage Performs James JoyceDirector | |
| 1985 | Air's RockDirector | |
| 1985 | Moments At The RockDirector | |
| 1984 | New York Hot SpringsDirector | |
| 1984 | Shadowman (The Structure of Seeing and Hearing)Director | |
| 1981 | Talking in New YorkDirector | |
| 1981 | Talking Picture (The Structure of Film Viewing)Director | |
| 1981 | I Am A Viewer You Are A ViewerDirector | |
| 1981 | Circle & SquareDirector | |
| 1978 | Sync SoundDirector | |
| 1977 | Visual Logic (and Illogic)Director | |
| 1977 | MA (Intervals)Director | |
| 1977 | One Frame DurationDirector | |
| 1976 | Camera, Monitor, FrameDirector | |
| 1976 | Observer / Observed / ObserverDirector | |
| 1975 | Observer / ObservedDirector | |
| 1975 | 24 Frames per SecondDirector | |
| 1973 | 1 To 60 SecondsDirector | |
| 1973 | Plus and MinusDirector | |
| 1972 | Models: B-4: Seeing, Not SeeingDirector | |
| 1972 | Timed 1, 2, 3Director | |
| 1972 | Yoko Ono: This Is Not HereDirector | |
| 1972 | Models: A-1: 2 Min. 46 Sec. 16 FramesDirector | |
| 1972 | Models: A-2: Timing 1, 2, 3, 4Director | |
| 1972 | Models: A-3: Time Length 1,2,3,4Director | |
| 1972 | Models: B-1: Counting, 100 Or X'sDirector | |
| 1972 | Models: B-2: A Line 1, 2, 3Director | |
| 1972 | Models: B-3: To See the Frame, Not to See the FrameDirector | |
| 1971 | ShutterDirector | |
| 1971 | Man and WomanDirector | |
| 1971 | Time TunnelDirector | |
| 1971 | The Pacific OceanDirector | |
| 1970 | A ChairDirector | |
| 1970 | BlinkingDirector | |
| 1970 | Film Strips IIDirector | |
| 1970 | Film Strips IDirector | |
| 1970 | Kiri (The Fog)Director | |
| 1970 | In The RiverDirector | |
| 1970 | Buddha AgainDirector | |
| 1969 | FilmmakersDirector | |
| 1969 | FaceDirector | |
| 1969 | FlowersDirector | |
| 1967 | White CalligraphyDirector | |
| 1967 | Shelter 9999Director | |
| 1967 | Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental CinemaDirector | |
| 1967 | New York ScenesDirector | |
| 1966 | Why Don't You SneezeDirector | |
| 1966 | Honey MoonDirector | |
| 1966 | I Saw the ShadowDirector | |
| 1966 | Iro (Colors)Director | |
| 1966 | Taka and AkoDirector | |
| 1965 | Rose Color DanceDirector | |
| 1964 | A Dance Party in the Kingdom of LilliputDirector | |
| 1964 | Inside & OutsideDirector | |
| 1964 | My DocumentaryDirector | |
| 1964 | Dead MovieDirector | |
| 1963 | Sakasama (Upside Down)Director | |
| 1963 | DesadeDirector | |
| 1963 | OnanDirector | |
| 1963 | The MasseursDirector | |
| 1962 | 6x6 (Oukan Densentsu)Director | |
| 1962 | LoveDirector | |
| 1962 | JunkDirector | |
| 1962 | On Eye RapeDirector | |
| 1962 | Dada 62Director | |
| - | Ukiyo UkareDirector |
| 1993 | A I U E O NN Six FeaturesWriter | |
| 1989 | MA: Space/Time in the Garden of Ryoan-jiWriter | |
| 1976 | Observer / Observed / ObserverWriter | |
| 1975 | Observer / ObservedWriter | |
| 1963 | The MasseursWriter |
| 1963 | OnanCinematography |