Ann Dvorak
Known For
Acting
Gender
Female
Birthday
Aug 2, 1911 (115 years old)
Place of Birth
New York City, New York, USA
Biography
Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told The Literary Digest: "My fake name is properly pronounced vor'shack. The D remains silent." Dvorak was the daughter and only child of silent film actress Anna Lehr and director Edwin McKim. While in New York, she attended St. Catherine's Convent. After moving to California, she attended Page School for Girls in Hollywood. She made her film debut when she was five years old in the silent film version of Ramona (1916), credited as "Baby Anna Lehr". She continued in children's roles in The Man Hater (1917) and Five Dollar Plate (1920), but then stopped acting in films. Her parents separated in 1916 and divorced in 1920; she did not see her father again until 13 years later, when she made a public plea to the press to help her find him. In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Bette Davis and Joan Blondell as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros. during the 1930s, and appeared in numerous contemporary romances and melodramas. At age 19, Dvorak eloped with Leslie Fenton, her English co-star from The Strange Love of Molly Louvain (1932), and they married on March 17, 1932. They left for a year-long honeymoon in spite of her contractual obligations to the studio, which led to a period of litigation and pay disputes during which she discovered she was making the same amount of money as the boy who played her son in Three on a Match. She completed her contract on permanent suspension, then worked as a freelancer. Although she worked regularly, the quality of her scripts declined sharply. She appeared as secretary Della Street to Donald Woods' Perry Mason in The Case of the Stuttering Bishop (1937). With her then-husband, Leslie Fenton, Dvorak traveled to England where she supported the war effort by working as an ambulance driver and acted in several British films. She appeared as a saloon singer in Abilene Town with Randolph Scott and Edgar Buchanan, released in 1946. The following year she adeptly handled comedy by giving an assured performance in Out of the Blue (1947). In 1948, Dvorak gave her only performance on Broadway in The Respectful Prostitute. Dvorak's marriage to Fenton ended in divorce in 1946. In 1947, she married Igor Dega, a Russian dancer who danced with her briefly in The Bachelor's Daughters. The marriage ended two years later. Dvorak retired from the screen in 1951, when she married her third and last husband, Nicholas Wade, to whom she remained married until his death in 1975. She had no children.
Known For
| 2008 | Thou Shalt Not: Sex, Sin and Censorship in Pre-Code HollywoodVivian Revere Kirkwood (archive footage) | |
| 1997 | Bogart: The Untold StorySelf (archive footage) | |
| 1951 | The Secret of Convict LakeRachel Schaeffer | |
| 1951 | I Was an American SpyMrs. Claire 'High Pockets' Phillips | |
| 1950 | Our Very OwnGert Lynch | |
| 1950 | Mrs. O'Malley and Mr. MaloneConnie Kepplar | |
| 1950 | A Life of Her OwnMary Ashlon | |
| 1950 | The Return of Jesse JamesSue Ellen Younger | |
| 1948 | The Walls of JerichoBelle Connors | |
| 1947 | The Long NightCharlene | |
| 1947 | The Private Affairs of Bel AmiMadeleine Forestier | |
| 1947 | Out of the BlueOlive Jensen | |
| 1946 | Abilene TownRita | |
| 1946 | The Bachelor's DaughtersTerry Wilson | |
| 1945 | Flame of Barbary CoastAnn 'Flaxen' Tarry | |
| 1945 | Masquerade in MexicoHelen Grant | |
| 1943 | Squadron Leader XBarbara Lucas | |
| 1943 | Escape to DangerJoan Grahame | |
| 1942 | This Was ParisAnn Morgan | |
| 1940 | Girls of the RoadKay Warren | |
| 1940 | Cafe HostessJo | |
| 1939 | Blind AlleyMary | |
| 1939 | Stronger Than DesireEva McLain | |
| 1938 | Gangs of New YorkConnie Benson | |
| 1938 | Merrily We LiveMinerva Harlan | |
| 1937 | The Case of the Stuttering BishopDella Street | |
| 1937 | Midnight CourtCarol O'Neill | |
| 1937 | Racing LadyRuth Martin | |
| 1937 | Manhattan Merry-Go-RoundAnn Rogers | |
| 1937 | She's No LadyJerry | |
| 1937 | We Who Are About to DieConnie Stewart | |
| 1936 | Breakdowns of 1936Self | |
| 1935 | 'G' MenJean Morgan | |
| 1935 | Thanks a MillionSally Mason | |
| 1935 | Bright LightsFay Wilson | |
| 1935 | Sweet MusicBonnie Haydon | |
| 1935 | Dr. SocratesJosephine | |
| 1935 | A Trip Thru a Hollywood StudioHerself (uncredited) | |
| 1934 | Heat LightningMyra | |
| 1934 | Gentlemen Are BornSusan Merrill | |
| 1934 | Murder in the CloudsJudy Wagner | |
| 1934 | Friends of Mr. SweeneyMiss Beulah Boyd | |
| 1934 | Midnight AlibiJoan | |
| 1934 | HousewifeNan Reynolds | |
| 1934 | Side StreetsMarguerite Gilbert | |
| 1934 | MassacreLydia | |
| 1934 | I Sell AnythingBarbara | |
| 1934 | Roast-Beef and MoviesChorine (archive footage) (uncredited) | |
| 1933 | College CoachClaire Gore | |
| 1933 | Hello PopDancer | |
| 1933 | The Way to LoveMadeleine | |
| 1932 | ScarfaceFrancesca 'Cesca' Camonte | |
| 1932 | Three on a MatchVivian Revere | |
| 1932 | Love is a RacketSally Condon | |
| 1932 | The Crowd RoarsLee Merrick | |
| 1932 | The Strange Love of Molly LouvainMadeleine Maude 'Molly' Louvain | |
| 1932 | Sky DevilsMary Way | |
| 1932 | CroonerJudith 'Judy' Mason | |
| 1931 | PoliticsRally Audience Extra (uncredited) | |
| 1931 | Stranger in TownMarian Crickle | |
| 1931 | This Modern AgeParty Guest (Uncredited) | |
| 1931 | Son of IndiaDancer (uncredited) | |
| 1931 | The GuardsmanFan Saying "There He Is" (uncredited) | |
| 1931 | A Tailor-Made ManBit (uncredited) | |
| 1931 | Dance, Fools, DanceChorus Girl (uncredited) | |
| 1930 | EstrelladosChorine (uncredited) | |
| 1930 | Madam SatanZeppelin Reveler (uncredited) | |
| 1930 | The March of TimeChorus Girl (uncredited) | |
| 1930 | The Woman RacketChorus Girl | |
| 1930 | Lord Byron of BroadwayChorus Girl | |
| 1930 | Good NewsStudent | |
| 1930 | Free and EasyChorine (uncredited) | |
| 1930 | Way Out WestCarnival Show Girl (uncredited) | |
| 1930 | Our Blushing BridesOne of the 'Quartet' of Models with Tony (uncredited) | |
| 1930 | Chasing RainbowsChorus Girl (uncredited) | |
| 1930 | The Devil's CabaretChorine in Black (uncredited) | |
| 1930 | Children of PleasureChorus Girl (uncredited) | |
| 1929 | The Hollywood Revue of 1929Chorus Girl from Omaha (uncredited) | |
| 1929 | It's a Great LifeChorus Girl | |
| 1929 | So This Is CollegeStudent (uncredited) | |
| 1929 | Devil-May-CareChorine (uncredited) | |
| 1929 | Manhattan SerenadeChorus Girl (uncredited) | |
| 1929 | The Song Writers' RevueMember of the Chorus (uncredited) | |
| 1929 | The Doll ShopDoll | |
| 1917 | The Man HaterPhemie's Sister | |
| 1916 | RamonaRamona Phail (age 4) |
| 1931 | Dance, Fools, DanceChoreographer |














