Richard Leacock
Known For
Directing
Gender
Male
Birthday
Jul 18, 1921 (105 years old)
Place of Birth
London, UK
Biography
Richard Leacock (July 18, 1921 – March 15, 2011) was a pioneering American-born filmmaker, widely regarded as one of the founding figures of the cinéma vérité movement. He was a key influence on the development of observational documentary filmmaking, known for his innovative use of handheld cameras and his emphasis on capturing spontaneous, real-time events. Leacock's most notable works include Primary (1960), which followed John F. Kennedy and Hubert Humphrey during the 1960 Democratic primary campaign, and Chronicle of a Summer (1961), co-directed with Jean Rouch, a landmark film in the cinéma vérité genre. Throughout his career, Leacock collaborated with other influential filmmakers, including Robert Drew and D.A. Pennebaker, and helped shape the way documentaries were made. His legacy continues to influence contemporary documentary filmmakers.
Known For
| 2023 | Monica in the South SeasSelf | |
| 2016 | Robert Drew & Associates at the Museum of ToleranceSelf | |
| 2014 | How To Smell A Rose: A Visit with Ricky Leacock at his Farm in NormandySelf | |
| 2012 | Ricky on LeacockSelf | |
| 2011 | Mario Ruspoli, Prince of the WhalesSelf | |
| 2010 | A Boatload of Wild IrishmenHimself | |
| 2008 | Morris Engel: The IndependentSelf | |
| 2000 | The Last DocumentarySelf | |
| 1992 | Cinéma! Cinéma! The French New WaveSelf | |
| 1989 | Message to ManHimself | |
| 1987 | Working GirlsJoseph | |
| 1985 | Sherman's MarchSelf - Historical Narration (voice) | |
| 1984 | Ein Film für Bossak und Leacock | |
| 1984 | Lulu in BerlinInterviewer | |
| 1975 | Solstice and Solyanka | |
| 1972 | Reality's InvisibleHimself | |
| 1971 | 1 P.M.Self |
| 1984 | Lulu in BerlinProducer | |
| 1971 | 1 P.M.Producer | |
| 1965 | Elizabeth and MaryProducer | |
| 1960 | Frames of ReferenceProducer | |
| 1960 | ABC Close-Up!Producer | |
| 1948 | Louisiana StoryAssociate Producer |
| 1999 | Flora Natapoff - An American PainterDirector | |
| 1991 | Les oeufs à la coque de Richard LeacockDirector | |
| 1986 | Louise BrooksDirector | |
| 1984 | Lulu in BerlinDirector | |
| 1983 | Community of PraiseDirector | |
| 1982 | MiddletownDirector | |
| 1981 | Rebuilding an Old Japanese HouseDirector | |
| 1980 | Light Coming Through: A Portrait of Maud MorganDirector | |
| 1977 | CenterbeamDirector | |
| 1971 | 1 P.M.Director | |
| 1970 | Queen of ApolloDirector | |
| 1968 | Two American Audiences: La Chinoise - A Film in the MakingDirector | |
| 1968 | ChiefsDirector | |
| 1968 | RainForestDirector | |
| 1967 | A Stravinsky PortraitDirector | |
| 1965 | Ku Klux Klan—The Invisible EmpireDirector | |
| 1964 | Lambert & Co.Director | |
| 1964 | Campaign ManagerDirector | |
| 1963 | A Happy Mother's DayDirector | |
| 1962 | NehruDirector | |
| 1962 | Mooney vs. FowleDirector | |
| 1962 | Kenya: Land of the White GhostDirector | |
| 1961 | The Children Were WatchingDirector | |
| 1961 | Adventures on the New FrontierDirector | |
| 1961 | On the Pole: Eddie SachsDirector | |
| 1960 | Frames of ReferenceDirector | |
| 1960 | Christopher and MeDirector | |
| 1960 | ABC Close-Up!Director | |
| 1959 | A Magnet LaboratoryDirector | |
| 1958 | Brussels LoopsDirector | |
| 1954 | Toby and the Tall CornDirector | |
| 1952 | OmnibusDirector | |
| 1935 | Canary Island BananasDirector |
| 1954 | Toby and the Tall CornWriter | |
| 1935 | Canary Island BananasWriter |
| 2008 | A President to Remember: In the Company of John F. KennedyCinematography | |
| 2002 | Monterey Pop - The Outtake PerformancesCinematography | |
| 1971 | MaidstoneCinematography | |
| 1963 | The ChairCinematography | |
| 1961 | On the Pole: Eddie SachsCinematography |









