Christopher Doyle
Known For
Camera
Gender
Male
Birthday
May 2, 1952 (74 years old)
Place of Birth
Sydney, New South Wales, Australia
Biography
Christopher Doyle is an Australian-Hong Kong cinematographer who often works on Chinese language films. He has won awards at the Cannes Film Festival and Venice Film Festival, as well as AFI Award for cinematography, the Golden Horse awards (four times), and Hong Kong Film Award (six times). Doyle is an affiliate of the Hong Kong Society of Cinematographers. Doyle was born in Sydney, Australia in 1952. He left his native country on a Norwegian merchant ship at the age of eighteen, after which he took on a number of odd jobs including as a Kibbutz-nick cowboy in Israel, homeopathic doctor in Thailand, and “green agriculturalist” in India work. In the late seventies, Doyle was “re-birthed” as Du Ke Feng, which means “like the wind.” Following his time as a language student in Taiwan and having found work as a photographer, he was hired as a cinematographer on Edward Yang’s That Day, on the Beach in 1983. Since his “birth in art,” Du Ke Feng has worked on over fifty Chinese-language films. He is best known for his collaborations with Wong Kar-Wai, including Chungking Express, In the Mood for Love and 2046 (the latter of which saw Doyle walking off set mid-way through production). He has collaborated with other Chinese filmmakers on projects including Temptress Moon, Hero, Happy Together, and Dumplings. As his "alter ego" Christopher Doyle he has made more than twenty in various other languages and film cultures, working as director of photography on Gus Van Sant's remake of Psycho, Liberty Heights, Last Life in the Universe, Rabbit-Proof Fence, Paranoid Park, The Limits of Control. He also wrote, shot, and directed Warsaw Dark, Away with Words starring Asano Tadanobu, and Hong Kong Trilogy: Preschooled Preoccupied Preposterous, an experimental portrait of three generations of Hong Kong people.[5] He is currently filming The White Girl, another tribute to his adopted hometown of Hong Kong, with co-director Jenny Suen. On May 26, 2017 Doyle was honored during the 70th Cannes Festival with the “Pierre Angénieux ExcelLens in Cinematography” award, in tribute to his rich and influential career. The ceremony was co-hosted by filmmaker Olivier Assayas and actress Juliette Binoche, among others.
Known For
| 2024 | M on the BundSelf | |
| 2019 | Iron Fists and Kung Fu KicksSelf | |
| 2019 | China on Filmself | |
| 2016 | WindHimself | |
| 2014 | Christopher Doyle: Filming in the Neon World | |
| 2011 | Pinku Eiga: Inside the Pleasure Dome of Japanese Erotic CinemaSelf | |
| 2010 | Showtime | |
| 2010 | A Moment in Time | |
| 2009 | Behind the Blur | |
| 2008 | Making Paranoid Park | |
| 2007 | In the Mood for DoyleHimself | |
| 2007 | Paranoid ParkUncle Tommy | |
| 2006 | Twelve TwentyTaxi Driver / Captain | |
| 2006 | Reflections of Lady in the Water | |
| 2006 | McDull, the AlumniBBQ Cook | |
| 2004 | The Culture ShowSelf | |
| 2003 | 1:99 Shorts(segment "Spring, 2003") | |
| 2001 | Orientations: Chris Doyle - Stirred But Not ShakenHimself | |
| 2001 | Grit & Polish: Heroines from Hong KongSelf | |
| 2000 | Psycho PathSelf - Cinematographer | |
| 1998 | AndromediaSakkaa / Soccer | |
| 1997 | Yesterday You, Yesterday MeYeung Seng Bo at 33 (Narrator) | |
| 1996 | Comrades, Almost a Love StoryJeremy | |
| 1990 | Family DayTourist | |
| 1989 | Carry On YakuzaFake Arms Dealer | |
| 1988 | I Love Mary | |
| 1986 | Omega SyndromeLeonard Waxman | |
| 1984 | 逆旅與幻象self | |
| 1982 | The Sexy Lady DriverSteven George | |
| 1981 | Idle Dream | |
| 1981 | The Land of the BraveAustralian Man (Cameo) | |
| 1981 | 家庭/電影self | |
| - | Christopher Doyle in Conversation: Days of Being WildHimself | |
| - | Christopher Doyle: Chungking Express | |
| - | Moving Pictures: Chungking Express |
| 2024 | M on the BundExecutive Producer | |
| 1993 | Beijing BastardsProducer |
| 2018 | Love OnlyDirector | |
| 2017 | The White GirlDirector | |
| 2015 | Hong Kong Trilogy: Preschooled Preoccupied PreposterousDirector | |
| 2014 | Beautiful 2014Director | |
| 2014 | Christopher Doyle: Filming in the Neon WorldDirector | |
| 2008 | Warsaw DarkDirector | |
| 2006 | Paris Je T'aimeDirector | |
| 1999 | Away with WordsDirector | |
| 1998 | Typhoon ShelterDirector | |
| 1991 | My Nostalgia, My SongsDirector | |
| 1981 | 家庭/電影Director | |
| 1981 | Journey through ImagesDirector | |
| 1980 | Christine (Film of Her)Director |
| 2017 | The White GirlWriter | |
| 2015 | Hong Kong Trilogy: Preschooled Preoccupied PreposterousWriter | |
| 2006 | Paris Je T'aimeWriter | |
| 1999 | Away with WordsWriter |
| 2026 | Morte CucinaCinematography | |
| 2022 | Just 1 DayCinematography | |
| 2019 | CubaCinematography | |
| 2019 | The Boat Burning Festival+Cinematography | |
| 2018 | To Heaven, to GatherCinematography | |
| 2018 | Love OnlyCinematography | |
| 2016 | Enishi: The Bride of IzumoCinematography | |
| 2013 | Blue Sky BonesCinematography | |
| 2006 | Twelve TwentyCinematography | |
| 1998 | MotorolaCinematography | |
| 1996 | Irma VepThanks | |
| 1995 | Out of the BlueCinematography | |
| 1991 | My Nostalgia, My SongsCinematography | |
| 1984 | 逆旅與幻象Cinematography | |
| 1981 | 家庭/電影Cinematography | |
| 1981 | Journey through ImagesCinematography | |
| 1979 | The Boat-Burning FestivalCinematography |











