Miroslava
Known For
Acting
Gender
Female
Birthday
Feb 26, 1926 (100 years old)
Place of Birth
Prague, Czechoslovakia
Biography
Miroslava (February 26, 1926 – March 9, 1955) was a Czechoslovakian-born Mexican film actress who appeared in thirty two films. Born Miroslava Šternová in Prague, Czechoslovakia (now the Czech Republic), Miroslava moved to Mexico as a child with her adoptive parents in the late 1930s, seeking to escape war in their native country. After winning a national beauty contest, Miroslava began to study acting. She appeared in a few Hollywood and Mexican films. She was offered a role in Ensayo de un crimen (Rehearsal for a Crime) in 1955, directed by Luis Buñuel. Soon after the final wrap of the film, Miroslava committed suicide by overdosing on sleeping pills.[2] Her body was found lying outstretched over her bed, she had a portrait of bullfighter Luis Miguel Dominguín in one hand. Her friends stated her suicide was due to unrequited love for Dominguín, who had recently married Italian actress Lucia Bosé. Bosè would go on to star in Buñuel's next movie, Cela s'appelle l'aurore (1956). The Mexican and Hollywood star Katy Jurado claimed to be one of the first people to find the body of Mexican actress Miroslava Stern after her tragic suicide. According to Katy, the picture that Miroslava had between her hands was Cantinflas, but the artistic manager Fanny Schatz exchanged the photo to that of the Spanish bullfighter Luis Miguel Dominguín. In his 1983 autobiography, Mon dernier soupir ("My Last Breath"), Buñuel recalls the irony of Miroslava's cremation following her suicide, when compared to a scene inEnsayo de un crimen, her last film, in which the protagonist cremates a wax reproduction of Stern's character. Her life is the subject of a short story by Guadalupe Loaeza, which was adapted by Alejandro Pelayo for his 1992 Mexican film called Miroslava, starring Arielle Dombasle.
Known For
| 1979 | México de mis amores | |
| 1957 | Torero!Herself | |
| 1955 | The Criminal Life of Archibaldo de la CruzLavinia | |
| 1955 | Stranger on HorsebackAmy Lee Bannerman | |
| 1955 | Stronger Than LoveBárbara Peñafiel | |
| 1955 | School for TrampsSusana Valverde | |
| 1954 | La visita que no tocó el timbreEmma | |
| 1953 | The Magnificent BeastMeche | |
| 1953 | The Revived MonsterNora | |
| 1953 | The Three Perfect MarriedLeopoldina | |
| 1953 | Sueños de gloriaElsa | |
| 1953 | ReportajeNurse | |
| 1952 | Música, mujeres y amorElisa Méndez | |
| 1952 | Two Faces Have the DestinyAnita | |
| 1952 | Screen Snapshots: Hollywood on the BallHerself | |
| 1951 | Death in LoveTasia - La Muerte | |
| 1951 | Ella y YoIrene Garza | |
| 1951 | Cárcel de mujeresEvangelina | |
| 1951 | The Port of the Seven SinsColomba | |
| 1951 | Monte de piedadElena | |
| 1951 | StreetwalkerElena | |
| 1951 | The Brave BullsLinda de Calderón | |
| 1950 | The League of GirlsMarta | |
| 1950 | The PossessionRosaura Díaz | |
| 1950 | The Love NestLucila del Castillo | |
| 1949 | Secreto entre mujeres | |
| 1949 | Suspense | |
| 1948 | Juan CharrasqueadoMaría | |
| 1948 | An Adventure in the NightElena | |
| 1948 | Nocturno de amorMarta Reyes | |
| 1948 | Adventures of CasanovaCassandra's Sister | |
| 1947 | Cinco rostros de mujerBeatriz | |
| 1947 | ¡A volar, joven!María | |
| 1946 | Tragic WeddingsAmparo |














