René Vautier
Known For
Directing
Gender
Male
Birthday
Jan 15, 1928 (98 years old)
Place of Birth
Camaret-sur-Mer
Biography
René Vautier, born January 15, 1928 in Camaret-sur-Mer (Finistère) and died January 4, 2015 in Cancale (Ille-et-Vilaine), is a French director and screenwriter, communist and anticolonialist, particularly known for his film Have twenty years in the Aurès. Born to a factory worker father and a teacher mother, René Vautier carried out his first militant activity within the Resistance in Brittany in 1943, when he was fifteen years old, which earned him several decorations. He was decorated with the Croix de Guerre at the age of sixteen, responsible for the “youth” group of the René Madec clan, cited in the Order of the Nation by General Charles de Gaulle for acts of Resistance (1944). René Vautier joins the maquis in France then takes the IDHEC competition under the leadership of his comrades in combat. From then on, this fierce supporter of the Communist Party will never stop, camera in hand, campaigning in Algeria, Africa or Brittany in order to denounce the contradictions of the systems in place. If he spoke about social struggles in France (Quand tu dit Valery), the condition of women (Quand les Femmes ont la anger) or Africa (Afrique 50), René Vautier is best known for his commitment against the abuses of the French army during the Algerian War. Thus, Being 20 years old in the Aurès represents one of his major works. His work, specifies the Arab HUFFINGTON POST, is today part of the historical heritage of Algeria, where he is considered a Mujahid, understand an independence fighter. A rebellious and prolific filmmaker, René Vautier experienced the wrath of censorship on numerous occasions. Imprisonments, hunger strikes, but also numerous awards have regularly punctuated the career of this atypical activist artist.
Known For
| 2019 | Une certaine histoire du cinéma expérimental françaisLui-même | |
| 2014 | Histoires d’images, images d’HistoireSelf | |
| 2013 | Carottageself | |
| 2008 | Commune présence(voice) | |
| 2007 | Algérie Tours DétoursHimself | |
| 2003 | The Law of SilenceSelf | |
| 2002 | Antoine Bonfanti, sonic traces of an engaged listeningSelf | |
| 2000 | René Vautier, le rebelleSelf | |
| 2000 | René Vautier, le maquisard à la caméraSelf | |
| 2000 | Remise du Collier de l'Hermine à René Vautierhimself | |
| 1998 | The Battle of ProductionSelf | |
| 1996 | René Vautier, l'indomptablehimself | |
| 1991 | Everything is Ahead | |
| 1989 | LumièresL'animateur des Ciné Pops | |
| 1983 | Fort Du Conquet Destruction of the Vautier ArchivesSelf | |
| 1981 | Le Dur Désir de direhimself | |
| 1975 | Four Days of a Partisan | |
| 1974 | The Madwoman of ToujaneHimself | |
| 1974 | Le RemordsHimself | |
| 1970 | Les AjoncsLe Policier | |
| 1965 | Dawn of the Damned | |
| 1956 | Les Anneaux d'OrCommentator | |
| 1950 | Afrique 50Récitant / Narrator | |
| - | Marée noire, colère rougeRéalisateur |
| 1985 | À Propos De... L'autre DétailProducer | |
| 1975 | Four Days of a PartisanProducer | |
| 1967 | The Winds of the AuresProduction Manager | |
| 1964 | The Death KnellProducer | |
| 1950 | Afrique 50Producer |
| 2014 | Histoires d’images, images d’HistoireDirector | |
| 1998 | Entretien avec Pierre ClémentDirector | |
| 1995 | Et le mot frère et le mot camaradeDirector | |
| 1995 | Hirochirac 1995Director | |
| 1990 | Mys et ThienotDirector | |
| 1988 | Mission PacifiqueDirector | |
| 1987 | Vous avez dit Français ?Director | |
| 1986 | Ensemble, vivre et travaillerDirector | |
| 1986 | Paris pour la paixDirector | |
| 1985 | Guerre aux images en AlgérieDirector | |
| 1985 | À Propos De... L'autre DétailDirector | |
| 1985 | Chateaubriand, mémoire vivanteDirector | |
| 1985 | TournevacheDirector | |
| 1984 | Briser le bâillonDirector | |
| 1983 | Fort Du Conquet Destruction of the Vautier ArchivesDirector | |
| 1982 | Déjà le sang de mai ensemençait novembreDirector | |
| 1980 | Le Scorpion de Saint-NazaireDirector | |
| 1978 | Marée noire et colère rougeDirector | |
| 1977 | Carte blanche à GlenmorDirector | |
| 1977 | Carte blanche à Gilles ServatDirector | |
| 1977 | Quand les femmes ont pris la colèreDirector | |
| 1976 | Le poisson commande...Director | |
| 1976 | Quand tu disais, ValéryDirector | |
| 1976 | Alan StivellDirector | |
| 1976 | FrontlineDirector | |
| 1974 | Le RemordsDirector | |
| 1974 | The Madwoman of ToujaneDirector | |
| 1974 | A Human ConditionDirector | |
| 1973 | Immigration : AmiensDirector | |
| 1973 | Transmission d'expérience ouvrièreDirector | |
| 1972 | To Be Twenty in the AuresDirector | |
| 1972 | La CaravelleDirector | |
| 1971 | Techniquement Si SimpleDirector | |
| 1971 | Mourir pour des imagesDirector | |
| 1970 | Les AjoncsDirector | |
| 1970 | Les Trois CousinsDirector | |
| 1964 | The Death KnellDirector | |
| 1963 | A People on the MarchDirector | |
| 1958 | Algeria in FlamesDirector | |
| 1956 | Les Anneaux d'OrDirector | |
| 1954 | Une Nation, l'AlgérieDirector | |
| 1951 | Un homme est mortDirector | |
| 1950 | Afrique 50Director |
| 1985 | À Propos De... L'autre DétailWriter | |
| 1983 | Fort Du Conquet Destruction of the Vautier ArchivesWriter | |
| 1982 | Déjà le sang de mai ensemençait novembreAuthor | |
| 1974 | Des goûts et des couleursOriginal Story | |
| 1972 | To Be Twenty in the AuresWriter | |
| 1971 | Techniquement Si SimpleWriter | |
| 1970 | Les AjoncsWriter | |
| 1970 | Les Trois CousinsWriter | |
| 1965 | Dawn of the DamnedWriter | |
| 1964 | The Death KnellWriter | |
| 1962 | J'ai Huit AnsWriter | |
| 1958 | Algeria in FlamesWriter | |
| 1950 | Afrique 50Writer |












