Jean Yanne
Known For
Acting
Gender
Male
Birthday
Jul 18, 1933 (93 years old)
Place of Birth
Les Lilas, Seine, France
Biography
Jean Yanne (born Jean Roger Gouyé; 18 July 1933 – 23 May 2003) was a French actor, screenwriter, producer, director and composer. In 1972, he won the Cannes Film Festival Award for Best Actor for his performance in the film We Won't Grow Old Together. Source: Article "Jean Yanne" from Wikipedia in English, licensed under CC-BY-SA.
Known For
| 2022 | Les Pieds dans la mayonnaise : Les Irrévérencieux des années 70Self - actor (archive footage) | |
| 2022 | The Animograph, or I Was Born in a ShoeboxSelf (archive footage) | |
| 2021 | Morceaux de Cannes | |
| 2014 | Le triomphe inattendu de Ben-Hur MarcelSelf (archive footage) | |
| 2009 | Comiques de toujours (Vol. 1 à 4)Self (archive footage) | |
| 2003 | Small CutsGérard | |
| 2003 | PayoffTonton | |
| 2003 | Une preuve d'amourFantin | |
| 2003 | Les ThibaultOscar Thibault | |
| 2002 | AdolpheThe Count | |
| 2002 | Michel Audiard et le mystère du triangle des BermudesNarrator | |
| 2002 | Le Champ Dolent, le roman de la terreJean-Baptiste | |
| 2001 | Brotherhood of the WolfLe Comte de Morangias | |
| 2001 | Vertiges de l'amourLe beau-père | |
| 2000 | ActorsDoctor Belgoder | |
| 2000 | Les Shadoks, mythe ou légende ?Self | |
| 1999 | Je règle mon pas sur le pas de mon pèreBertrand | |
| 1999 | Belle MamanPaul | |
| 1999 | Hygiène de l'assassinPrétextat Tach | |
| 1998 | Le radeau de la MéduseChaumareys | |
| 1998 | La dame du jeuEvaristo Della Porta | |
| 1998 | Vivement dimancheSelf | |
| 1997 | Proper Attire RequiredM. Brucker | |
| 1997 | Run for Your LifePère Cambournac | |
| 1996 | Should Not!...Magic | |
| 1996 | DesireCorniche | |
| 1996 | VictoryMr. Schomberg | |
| 1996 | Beaumarchais the ScoundrelLouis Goezman | |
| 1996 | News from the Good LordDieu | |
| 1996 | Enfants de salaudJulius | |
| 1996 | The Year of CertificateLe Grand-père | |
| 1995 | The Horseman on the RoofHawker | |
| 1995 | Ils n'ont pas vingt ansBakoulian | |
| 1994 | See How They FallSimon | |
| 1994 | Every Man for YourselfGeorges Flavier / L'imperator | |
| 1993 | La LégendeRoland Pikas | |
| 1993 | Low ProfilePlana | |
| 1993 | L'Affaire SeznecQuémeneur | |
| 1993 | À la ModeMietek Breslauer | |
| 1993 | PétainPierre Laval | |
| 1993 | Le ciel pour témoinGustave | |
| 1993 | L'Affaire SeznecQuémeneur | |
| 1992 | IndochineGuy Asselin | |
| 1992 | Le Bal des casse-piedsH33, l'emmerdeur | |
| 1992 | La sévillanePolougaievski | |
| 1991 | Madame BovaryM. Homais | |
| 1991 | The Professional Secrets of Dr. ApfelgluckGermain, l'escroc | |
| 1991 | MaigretEmile Ducrau | |
| 1989 | Quicker Than the EyeInspector Sutter | |
| 1988 | PalaceL'alcoolique anti-tiers monde | |
| 1988 | PalaceLe client qui pêche dans sa baignoire | |
| 1988 | PalaceRomancier | |
| 1988 | PalaceLe mari qui a une pulsion | |
| 1988 | PalaceLe mari infidèle sauvé par un poulpe | |
| 1988 | PalaceL'homme qui vend sa femme à 49% | |
| 1987 | BanditsL'Expert (Simon Verini) | |
| 1987 | Fucking FernandAndré Binet | |
| 1987 | Cayenne PalaceEquateur | |
| 1987 | Sacrée SoiréeSelf | |
| 1986 | The Wolf at the DoorWilliam Molard | |
| 1986 | The NonentityKommissar | |
| 1985 | Liberté, égalité, choucrouteMarat | |
| 1985 | The Telephone Always Rings TwiceL'homme au téléphone | |
| 1983 | Hanna K.Victor Bonnet | |
| 1983 | Gramps Is in the ResistanceMurat, fonctionnaire à la Kommandantur | |
| 1982 | Quarter to Two Before Jesus ChristPaulus | |
| 1982 | A Day in a TaxiMichel | |
| 1981 | AsphaltArthur Colonna | |
| 1979 | I've Got You, You've Got Me by the Chin HairsInspecteur Chodaque | |
| 1978 | State ReasonsJean-Philippe Leroi | |
| 1977 | The AccuserDirector of human relations | |
| 1977 | ArmageddonLouis Carrier | |
| 1977 | Stop Calling Me Baby!Max | |
| 1975 | That's Show BusinessClément Mastard | |
| 1975 | Midi PremièreSelf | |
| 1975 | Les Rendez-vous du dimancheSelf | |
| 1975 | Numéro unSelf | |
| 1975 | Système 2Self (archive footage) | |
| 1975 | ApostrophesSelf | |
| 1974 | Chinese In ParisRégis Forneret | |
| 1974 | Spécial cinémaSelf | |
| 1973 | Moi y'en a vouloir des sousBenoît Lepape | |
| 1972 | Everybody He Is Nice, Everybody He Is BeautifulChristian Gerber | |
| 1972 | We Won't Grow Old TogetherJean | |
| 1972 | Midi trenteSelf | |
| 1971 | Fantasia Among the SquaresDoc Noonan | |
| 1971 | TroubleshootersSerge Aubin | |
| 1971 | Angel's LeapLouis Orsini | |
| 1971 | Are You Engaged to a Greek Sailor or an Airline Pilot?Roger Blanchard | |
| 1971 | Samedi soirSelf | |
| 1970 | The ButcherPaul Thomas, aka 'Popaul' | |
| 1970 | Jean Yanne (La Joie de vivre)Self | |
| 1969 | This Man Must DiePaul Decourt | |
| 1969 | ErotissimoPhilippe | |
| 1969 | De la pauvreté du dessin Shadoks attribuée au manque de crédits de l'Office | |
| 1968 | The Men in the FamilyMarco Broca | |
| 1968 | A Strange Kind of ColonelBarton | |
| 1967 | WeekendRoland Durand | |
| 1967 | The ViscountBillete | |
| 1967 | Bang BangRobert Vaucamu | |
| 1967 | Deux Romains en GauleLe centurion | |
| 1966 | Line of DemarcationM. Tricot | |
| 1966 | The Saint Lies in WaitMueller-Strasse | |
| 1966 | Funny MoneyFélix | |
| 1965 | Tight Skirts, Loose PleasuresTropos | |
| 1965 | Tell Me Whom to KillFederucci | |
| 1965 | Dim Dam DomSelf | |
| 1964 | Life Upside DownMonsieur Kerbel | |
| 1964 | Jaloux comme un tigreAlphonse | |
| 1964 | Night Women'Journalist' (uncredited) | |
| 1959 | DiscoramaSelf | |
| 1952 | LeathernoseExtra (uncredited) | |
| 1952 | Dr. Schweitzer(uncredited) | |
| 1952 | The Road to DamascusExtra (uncredited) |
| 1974 | Blood for DraculaProducer | |
| 1974 | Chinese In ParisProducer | |
| 1974 | Don't Touch the White Woman!Producer | |
| 1973 | Flesh for FrankensteinProducer | |
| 1973 | Moi y'en a vouloir des sousProducer | |
| 1972 | Everybody He Is Nice, Everybody He Is BeautifulProducer |
| 1985 | Liberté, égalité, choucrouteDirector | |
| 1982 | Quarter to Two Before Jesus ChristDirector | |
| 1979 | I've Got You, You've Got Me by the Chin HairsDirector | |
| 1975 | That's Show BusinessDirector | |
| 1974 | Chinese In ParisDirector | |
| 1973 | Moi y'en a vouloir des sousDirector | |
| 1972 | Everybody He Is Nice, Everybody He Is BeautifulDirector |
| 1985 | Liberté, égalité, choucrouteWriter | |
| 1985 | Liberté, égalité, choucrouteScreenplay | |
| 1982 | Quarter to Two Before Jesus ChristWriter | |
| 1982 | Quarter to Two Before Jesus ChristScreenplay | |
| 1979 | I've Got You, You've Got Me by the Chin HairsScreenplay | |
| 1979 | I've Got You, You've Got Me by the Chin HairsWriter | |
| 1979 | I've Got You, You've Got Me by the Chin HairsDialogue | |
| 1979 | I've Got You, You've Got Me by the Chin HairsAdaptation | |
| 1975 | That's Show BusinessWriter | |
| 1975 | That's Show BusinessScreenplay | |
| 1974 | Chinese In ParisWriter | |
| 1974 | Chinese In ParisScreenplay | |
| 1973 | Moi y'en a vouloir des sousWriter | |
| 1973 | Moi y'en a vouloir des sousScreenplay | |
| 1972 | Everybody He Is Nice, Everybody He Is BeautifulMusical | |
| 1972 | Everybody He Is Nice, Everybody He Is BeautifulWriter | |
| 1972 | Everybody He Is Nice, Everybody He Is BeautifulScreenplay | |
| 1971 | Are You Engaged to a Greek Sailor or an Airline Pilot?Writer |