Felix Bressart
Known For
Acting
Gender
Male
Birthday
Mar 2, 1892 (134 years old)
Place of Birth
Eydtkuhnen, East Prussia, Germany [now Chernyshevskoe, Russia]
Biography
From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen. Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States. One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle). Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man. He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner. Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu." After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots. Description above from the Wikipedia article Felix Bressart, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Known For
| 1949 | Take One False StepProfessor Morris Avrum | |
| 1948 | A Song Is BornProfessor Gerkikoff | |
| 1948 | Portrait of JenniePete | |
| 1946 | I've Always Loved YouFrederick Hassman | |
| 1946 | Ding Dong WilliamsHugo Meyerheld | |
| 1946 | Her Sister's SecretPepe | |
| 1946 | The Thrill of BrazilLudwig Kriegspiel | |
| 1945 | Dangerous PartnersProfessor Budlow | |
| 1945 | Without LoveProf. Ginza | |
| 1944 | The Seventh CrossPoldi Schlamm | |
| 1944 | Blonde FeverJohnny | |
| 1944 | Song of RussiaPetrov | |
| 1944 | Greenwich VillageHofer | |
| 1943 | Above SuspicionMr. A. Werner | |
| 1943 | Three Hearts for JuliaAnton Ottoway | |
| 1943 | Don't Be a Sucker!Anti-Nazi Teacher | |
| 1942 | To Be or Not to BeGreenberg | |
| 1942 | CrossroadsDr. Andre Tessier | |
| 1942 | IcelandPapa Jonsdottir | |
| 1942 | Mr. and Mrs. NorthArthur Talbot | |
| 1941 | Blossoms in the DustDr. Max Breslar | |
| 1941 | Married BachelorProfessor Milic | |
| 1941 | Ziegfeld GirlMischa | |
| 1941 | KathleenMr. Schoner | |
| 1940 | The Shop Around the CornerPirovitch | |
| 1940 | Comrade XIgor Yahupitz / Vanya | |
| 1940 | Edison, the ManMichael Simon | |
| 1940 | It All Came TrueThe Great Boldini | |
| 1940 | Third Finger, Left HandAugust "Gussie" Winkel | |
| 1940 | EscapeFritz Keller | |
| 1940 | Bitter SweetMax | |
| 1939 | NinotchkaComrade Buljanoff | |
| 1939 | Swanee RiverHenry Kleber | |
| 1939 | Bridal SuiteMaxl | |
| 1939 | Three Smart Girls Grow UpMusic Teacher | |
| 1936 | Heut' ist der schönste Tag in meinem LebenMax Kaspar | |
| 1935 | Everything for the CompanyPhilipp Sonndorfer | |
| 1935 | Four and a Half MusketeersProfessor Volksmann | |
| 1935 | Ball at the SavoyBirowitsch | |
| 1934 | PeterGrandfather | |
| 1934 | Salto in die SeligkeitKriegel, Geheimdetektiv | |
| 1934 | C'était un musicienBaron Vandernyff | |
| 1933 | Wie d'Warret würktMr. Schramek | |
| 1933 | ...und wer küßt mich?Direktor Ritter | |
| 1932 | The Lucky Top HatGottfried Jonathan Bankbeamter | |
| 1932 | Visul lui Tanasestar | |
| 1932 | Holzapfel Knows EverythingJohannes Georg Holzapfel | |
| 1931 | No More LoveJean | |
| 1931 | Terror of the GarrisonMusketier Kulicke | |
| 1931 | The Office ManagerJoachim Reißnagel | |
| 1931 | Excursion into LifeHirsekorn - Schauspieler und Chauffeur | |
| 1931 | Fanfare about loveMajor Fröschen | |
| 1931 | True JacobBöcklein | |
| 1931 | The Private SecretaryBankdiener Hasel | |
| 1931 | Comradeship | |
| 1930 | The Three from the Filling StationGerichtsvollzieher | |
| 1930 | The fight with the dragon or: The tragedy of the lodger | |
| 1930 | Eine Freundin so goldig wie DuRichard | |
| 1930 | The Tender RelativesOnkel Emil | |
| 1930 | There is a woman who will never forget you | |
| 1930 | Three Days in the GuardhouseFranz Nowotni | |
| 1930 | Old SongJacques | |
| 1928 | Liebe im KuhstallDer Gerichtsvollzieher |













