Henri-Georges Clouzot
Known For
Writing
Gender
Male
Birthday
Nov 20, 1907 (118 years old)
Place of Birth
Niort, Deux-Sèvres, France
Biography
Henri-Georges Clouzot (August 18, 1907 – January 12, 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s. Clouzot also directed documentary films, including The Mystery of Picasso, which was declared a national treasure by the government of France. Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from German studios due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular in France. His second film Le Corbeau drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette et sa mère, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Diabolique. Both films would serve as source material for remakes decades later. After the release of La Vérité, Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977. Description above from the Wikipedia article Henri-Georges Clouzot, licensed under CC-BY-SA, full list of contributors on Wikipedia
Known For
| 2021 | Morceaux de Cannes | |
| 2019 | 1940: Taking over French CinemaSelf (archive footage) | |
| 2017 | The Clouzot ScandalSelf (archive footage) | |
| 2013 | Bardot, The Misunderstanding | |
| 2012 | The Bardot mystery | |
| 2010 | They Saw InfernoSelf (archival footage) | |
| 2009 | Henri-Georges Clouzot's InfernoSelf (archive footage) | |
| 2004 | Henri-Georges Clouzot: An Enlightened TyrantSelf (archive footage) | |
| 1994 | Carl Th. Dreyer und Gertrud | |
| 1983 | Notre Dame de la CroisetteSelf (archive footage) (uncredited) | |
| 1966 | Carl Th. DreyerSelf | |
| 1956 | The Mystery of PicassoSelf (uncredited) | |
| 1956 | CinépanoramaSelf | |
| 1950 | BrasilSelf |
| 1957 | The SpiesProducer | |
| 1956 | The Mystery of PicassoProducer | |
| 1955 | DiaboliqueProducer | |
| 1953 | The Wages of FearProducer |
| 2017 | The Inferno UnseenDirector | |
| 1968 | Woman in ChainsDirector | |
| 1967 | Verdi – Messa da RequiemDirector | |
| 1967 | Herbert von Karajan, Symphonie n°5 BeethovenDirector | |
| 1966 | Yehudi Menuhin und Herbert von Karajan – Mozart: Konzert für Violine und Orchester Nr. 5Director | |
| 1966 | Karajan: Mozart Violin Concerto No 5, Dvorak Symphony No.9Director | |
| 1966 | Menuhin and Karajan - The Concert Great Moments in MusicDirector | |
| 1965 | Karajan in RehearsalDirector | |
| 1960 | The TruthDirector | |
| 1957 | The SpiesDirector | |
| 1956 | The Mystery of PicassoDirector | |
| 1955 | DiaboliqueDirector | |
| 1953 | The Wages of FearDirector | |
| 1950 | MiquetteDirector | |
| 1950 | BrasilDirector | |
| 1949 | Return to LifeDirector | |
| 1949 | ManonDirector | |
| 1947 | Jenny LamourDirector | |
| 1943 | Le CorbeauDirector | |
| 1942 | The Murderer Lives at Number 21Director | |
| 1933 | Dream CastleAssistant Director | |
| 1933 | All for LoveCo-Director | |
| 1933 | Caprice de princesseCo-Director | |
| 1931 | The Terror of BatignollesDirector | |
| - | Clouzot filme Karajan : la Symphonie du Nouveau Monde de DvořákDirector |
| 1996 | DiaboliqueOriginal Film Writer | |
| 1994 | TormentOriginal Film Writer | |
| 1968 | Woman in ChainsWriter | |
| 1960 | The TruthScreenplay | |
| 1957 | The SpiesWriter | |
| 1956 | If All the Guys in the World...Writer | |
| 1956 | The Mystery of PicassoWriter | |
| 1955 | DiaboliqueWriter | |
| 1953 | The Wages of FearScreenplay | |
| 1950 | MiquetteWriter | |
| 1949 | Return to LifeWriter | |
| 1949 | ManonScreenplay | |
| 1947 | Jenny LamourDialogue | |
| 1947 | Jenny LamourScreenplay | |
| 1943 | Le CorbeauAdaptation | |
| 1943 | Le CorbeauScreenplay | |
| 1942 | The Murderer Lives at Number 21Adaptation | |
| 1942 | Strangers in the HouseDialogue | |
| 1942 | Strangers in the HouseAdaptation | |
| 1942 | The Murderer Lives at Number 21Screenplay | |
| 1942 | Strangers in the HouseScreenplay | |
| 1941 | The Last One of the SixScreenplay | |
| 1941 | The DuelDialogue | |
| 1941 | The DuelScenario Writer | |
| 1941 | The Last One of the SixAdaptation | |
| 1941 | The Last One of the SixDialogue | |
| 1939 | The World Will ShakeScreenplay | |
| 1938 | The RebelWriter | |
| 1938 | Bargekeepers DaughterAdaptation | |
| 1933 | Dream CastleScreenplay | |
| 1933 | Caprice de princesseDialogue | |
| 1933 | All for LoveDialogue | |
| 1933 | Tell Me TonightWriter | |
| 1932 | Should We Wed Them?Dialogue | |
| 1931 | The Unknown SingerAdaptation | |
| 1931 | Dragnet NightWriter | |
| 1931 | My Cousin From WarsawWriter | |
| 1931 | I'll Be Alone After MidnightDialogue | |
| 1931 | I'll Be Alone After MidnightScreenplay |
| 1977 | SorcererThanks | |
| 1965 | Tokyo OlympiadThanks |












