Josef von Sternberg
Known For
Directing
Gender
Male
Birthday
May 29, 1894 (132 years old)
Place of Birth
Vienna, Austria
Biography
Josef von Sternberg, born Jonas Sternberg (29 May 1894 – 22 December 1969) was an Austrian-born film director and is among the few whose career successfully spanned the transition from the silent to the sound era. He is considered one of the earliest 'auteur' filmmakers, having filled many other roles on his films including those of cinematographer, screenwriter, and editor. Sternberg's style influenced later directors, particularly those of the film noir period. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and collaboration with actress Marlene Dietrich. Among his most important works are The Blue Angel (1930), Morocco (1930), Shanghai Express (1932) and The Scarlet Empress (1934). Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Known For
| 1996 | No Angel: A Life of Marlene Dietrich | |
| 1969 | The Epic That Never WasInterviewee [director] / Himself (archive footage) | |
| 1969 | Josef von Sternberg, A RetrospectiveInterviewee | |
| 1968 | Josef von Sternberg InterviewSelf | |
| 1967 | Josef von Sternberg - From Silence Comes AnotherSelf | |
| 1967 | The World of Josef von SternbergSelf | |
| 1953 | AnatahanNarrator (voice) (uncredited) | |
| 1951 | German Film AwardSelf | |
| 1925 | 1925 Studio TourSelf | |
| 1917 | A Girl's FollyCameraman (uncredited) |
| 1953 | AnatahanExecutive Producer | |
| 1935 | The Devil Is a WomanProducer | |
| 1934 | The Scarlet EmpressProducer | |
| 1932 | Blonde VenusProducer | |
| 1931 | An American TragedyProducer | |
| 1928 | The Docks of New YorkProducer | |
| 1925 | The Salvation HuntersProducer |
| 1957 | Jet PilotDirector | |
| 1953 | AnatahanDirector | |
| 1952 | MacaoDirector | |
| 1946 | Duel in the SunCo-Director | |
| 1944 | The TownDirector | |
| 1941 | The Shanghai GestureDirector | |
| 1940 | I Take This WomanCo-Director | |
| 1939 | Sergeant MaddenDirector | |
| 1938 | The Great WaltzCo-Director | |
| 1937 | I, ClaudiusDirector | |
| 1936 | The King Steps OutDirector | |
| 1935 | The Devil Is a WomanDirector | |
| 1935 | Crime and PunishmentDirector | |
| 1935 | The Fashion Side of HollywoodDirector | |
| 1934 | The Scarlet EmpressDirector | |
| 1932 | Shanghai ExpressDirector | |
| 1932 | Blonde VenusDirector | |
| 1931 | DishonoredDirector | |
| 1931 | An American TragedyDirector | |
| 1930 | The Blue AngelDirector | |
| 1930 | MoroccoDirector | |
| 1930 | Marlene Dietrich, “The Blue Angel” Screen TestDirector | |
| 1929 | ThunderboltDirector | |
| 1929 | The Case of Lena SmithDirector | |
| 1928 | The Docks of New YorkDirector | |
| 1928 | The Last CommandDirector | |
| 1928 | The Drag NetDirector | |
| 1927 | UnderworldDirector | |
| 1927 | Children of DivorceCo-Director | |
| 1926 | The Exquisite SinnerDirector | |
| 1926 | A Woman of the SeaDirector | |
| 1925 | The Salvation HuntersDirector | |
| 1925 | The Masked BrideDirector | |
| 1924 | By Divine RightAssistant Director | |
| 1922 | The Bohemian GirlAssistant Director | |
| 1921 | The Highest BidderAssistant Director | |
| 1919 | The Mystery of the Yellow RoomAssistant Director |
| 1953 | AnatahanScreenplay | |
| 1941 | The Shanghai GestureAdaptation | |
| 1941 | The Shanghai GestureWriter | |
| 1932 | Blonde VenusWriter | |
| 1931 | DishonoredWriter | |
| 1931 | An American TragedyWriter | |
| 1930 | The Blue AngelWriter | |
| 1928 | The Last CommandStory | |
| 1928 | The Street of SinStory | |
| 1926 | A Woman of the SeaWriter | |
| 1926 | The Exquisite SinnerWriter | |
| 1925 | The Salvation HuntersScreenplay | |
| 1924 | By Divine RightScenario Writer |
| 1931 | DishonoredAdditional Music |







