Charles Bennett
Known For
Writing
Gender
Male
Birthday
Aug 2, 1899 (127 years old)
Place of Birth
Shoreham-by-Sea, England
Biography
Born just before the century turned, Charles Bennett made his writing debut as a child in 1911, fought in France during World War I while still a teen and resumed his acting career after the war's end. In 1926 he dropped acting to concentrate on being a playwright, later turning one of his most famous plays, "Blackmail," into a screenplay for production under the direction of Alfred Hitchcock. The affiliation with "Hitch" continued into the early 1940s, by which time both Bennett and the director were working in Hollywood. He wrote for producers ranging from Cecil B. DeMille to Irwin Allen to the penny-pinching folks at AIP. "If I couldn't write, I wouldn't want to live," commented Bennett, who had projects (including a remake of "Blackmail") going right up to the time of his death.
Known For
| 1986 | A State of EmergencyCharlie | |
| 1935 | The 39 StepsSecond Passerby Near the Bus (uncredited) | |
| 1917 | Hobbled Hearts | |
| 1917 | The Rainbow GirlAmos Divine | |
| 1915 | John Halifax, GentlemanJohn as a Child |
| 1956 | The Count of Monte CristoDirector | |
| 1953 | No EscapeDirector | |
| 1952 | Cavalcade of AmericaDirector | |
| 1949 | Madness of the HeartDirector | |
| 1930 | Painted PicturesDirector |
| 1968 | Land of the GiantsWriter | |
| 1965 | War-Gods of the DeepScreenplay | |
| 1965 | The Wild Wild WestWriter | |
| 1964 | Voyage to the Bottom of the SeaWriter | |
| 1962 | Five Weeks in a BalloonScreenplay | |
| 1961 | Voyage to the Bottom of the SeaScreenplay | |
| 1960 | The Lost WorldScreenplay | |
| 1959 | The Big CircusScreenplay | |
| 1958 | Behind Closed DoorsWriter | |
| 1957 | Night of the DemonScreenplay | |
| 1957 | The Story of MankindWriter | |
| 1956 | The Man Who Knew Too MuchStory | |
| 1954 | Dangerous MissionWriter | |
| 1954 | Casino RoyaleTeleplay | |
| 1954 | Climax!Writer | |
| 1953 | No EscapeWriter | |
| 1952 | The Green GloveStory | |
| 1952 | The Green GloveScreenplay | |
| 1952 | Cavalcade of AmericaWriter | |
| 1951 | Kind LadyScreenplay | |
| 1950 | Where Danger LivesScreenplay | |
| 1950 | Lux Video TheatreWriter | |
| 1949 | Madness of the HeartScreenplay | |
| 1949 | Black MagicScreenplay | |
| 1948 | The Sign of the RamScreenplay | |
| 1947 | UnconqueredScreenplay | |
| 1947 | IvyScreenplay | |
| 1944 | The Story of Dr. WassellScreenplay | |
| 1943 | Forever and a DayWriter | |
| 1942 | Reap the Wild WindScreenplay | |
| 1942 | Joan of ParisScreenplay | |
| 1941 | They Dare Not LoveWriter | |
| 1940 | Foreign CorrespondentScreenplay | |
| 1939 | BalalaikaScreenplay | |
| 1938 | The Young in HeartAdaptation | |
| 1937 | Young and InnocentScreenplay | |
| 1937 | SabotageScreenplay | |
| 1937 | King Solomon's MinesWriter | |
| 1936 | Secret AgentScreenplay | |
| 1936 | All at SeaWriter | |
| 1935 | The ClairvoyantScreenplay | |
| 1935 | The ClairvoyantAdaptation | |
| 1935 | The 39 StepsAdaptation | |
| 1935 | Night MailWriter | |
| 1934 | The Secret of the LochWriter | |
| 1934 | The Man Who Knew Too MuchWriter | |
| 1933 | Hawleys of High StreetWriter | |
| 1933 | The House of TrentWriter | |
| 1933 | MannequinScreenplay | |
| 1933 | Matinee IdolWriter | |
| 1932 | Partners PleaseWriter | |
| 1931 | DeadlockStory | |
| 1931 | Two Way StreetStory | |
| 1930 | Painted PicturesWriter | |
| 1930 | The Last HourTheatre Play | |
| 1929 | BlackmailTheatre Play |
| 1931 | Two Way StreetScript |



