Richard Brooks
Known For
Writing
Gender
Male
Birthday
May 18, 1912 (114 years old)
Place of Birth
Philadelphia, Pennsylvania, USA
Biography
Richard Brooks (May 18, 1912 – March 11, 1992) was an American screenwriter, director, novelist and occasional producer. His outstanding works as director are Blackboard Jungle (1955); Cat on a Hot Tin Roof (1958); Elmer Gantry (1960) – for which he won an Academy Award for Best Writing (Adapted Screenplay); In Cold Blood (1967); and Looking for Mr. Goodbar (1977). Brooks was one of the relatively few filmmakers whose careers bridged the transition from the classic studio system to the independent productions that marked the 1960s and beyond. He was also among the postwar writer-directors who made some of their best films as they struggled to break free of industry censorship. His legacy is that of a filmmaker who sought independence in a collaborative art and tried to bring his own vision to the screen. Description above from the Wikipedia article Richard Brooks, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
| 1992 | MGM: When the Lion Roars | |
| 1988 | Bacall on BogartSelf | |
| 1988 | Cary Grant: A Celebration of a Leading ManSelf | |
| 1987 | A Special FriendshipMatt Bowser | |
| 1981 | Hill Street BluesTyrone Crane | |
| 1975 | Elizabeth Taylor: An Intimate PortraitSelf | |
| 1956 | CinépanoramaSelf |
| 1982 | Wrong Is RightProducer | |
| 1975 | Bite the BulletProducer | |
| 1969 | The Happy EndingProducer | |
| 1966 | The ProfessionalsProducer | |
| 1965 | Lord JimProducer |
| 1985 | Fever PitchDirector | |
| 1982 | Wrong Is RightDirector | |
| 1977 | Looking for Mr. GoodbarDirector | |
| 1975 | Bite the BulletDirector | |
| 1971 | $Director | |
| 1969 | The Happy EndingDirector | |
| 1967 | In Cold BloodDirector | |
| 1966 | The ProfessionalsDirector | |
| 1965 | Lord JimDirector | |
| 1962 | Sweet Bird of YouthDirector | |
| 1960 | Elmer GantryDirector | |
| 1958 | Cat on a Hot Tin RoofDirector | |
| 1958 | The Brothers KaramazovDirector | |
| 1957 | Something of ValueDirector | |
| 1956 | The Catered AffairDirector | |
| 1956 | The Last HuntDirector | |
| 1955 | Blackboard JungleDirector | |
| 1954 | The Last Time I Saw ParisDirector | |
| 1954 | Flame and the FleshDirector | |
| 1953 | Battle CircusDirector | |
| 1953 | Take the High Ground!Director | |
| 1952 | Deadline - U.S.A.Director | |
| 1951 | The Light TouchDirector | |
| 1950 | CrisisDirector | |
| 1944 | With the Marines at TarawaDirector | |
| 1944 | Return to GuamDirector |
| 1985 | Fever PitchWriter | |
| 1982 | Wrong Is RightWriter | |
| 1977 | Looking for Mr. GoodbarScreenplay | |
| 1975 | Bite the BulletWriter | |
| 1971 | $Writer | |
| 1969 | The Happy EndingWriter | |
| 1967 | In Cold BloodScreenplay | |
| 1966 | The ProfessionalsScreenplay | |
| 1965 | Lord JimWriter | |
| 1962 | Sweet Bird of YouthScreenplay | |
| 1960 | Elmer GantryScreenplay | |
| 1958 | Cat on a Hot Tin RoofScreenplay | |
| 1958 | The Brothers KaramazovWriter | |
| 1957 | Something of ValueScreenplay | |
| 1956 | The Last HuntWriter | |
| 1955 | Blackboard JungleScreenplay | |
| 1954 | The Last Time I Saw ParisScreenplay | |
| 1953 | Battle CircusWriter | |
| 1952 | Deadline - U.S.A.Writer | |
| 1951 | Storm WarningWriter | |
| 1951 | The Light TouchScreenplay | |
| 1950 | Mystery StreetScreenplay | |
| 1950 | CrisisWriter | |
| 1949 | Any Number Can PlayScreenplay | |
| 1948 | Key LargoScreenplay | |
| 1948 | To the VictorWriter | |
| 1947 | CrossfireNovel | |
| 1947 | Brute ForceScreenplay | |
| 1946 | The KillersWriter | |
| 1946 | Swell GuyWriter | |
| 1944 | Cobra WomanScreenplay | |
| 1944 | My Best GalStory | |
| 1943 | White SavageScreenplay | |
| 1942 | Men of TexasScreenplay |
| 1946 | The KillersAdditional Writing | |
| 1943 | Don Winslow of the Coast GuardAdditional Dialogue | |
| 1942 | Sin TownAdditional Dialogue |






