Angela Schanelec
Known For
Directing
Gender
Female
Birthday
Feb 14, 1962 (64 years old)
Place of Birth
Aalen, Baden-Württemberg, Germany
Biography
Angela Schanelec ([aŋˈɡeːla ˈʃaːnəlɛk]; born 1962) is a German filmmaker and actress. Her films have premiered at numerous renowned film festivals, including the Cannes Film Festival, the Berlin International Film Festival, and the Toronto International Film Festival. She is often compared to several European avant-garde filmmakers, such as Chantal Akerman, Michelangelo Antonioni, and Robert Bresson, whom she has cited as an important influence. At the 69th Berlin International Film Festival, Schanelec won the Silver Bear for Best Director for her film “I Was at Home, But…” (2019). At the 73rd Berlin International Film Festival, Schanelec won the Silver Bear for Best Screenplay for her film “Music” (2023). Schanelec was born in Aalen, Baden-Württemberg, Germany. She began her artistic career as an actress on stage, but is now best known for her career as a filmmaker, which began during her time at the Berlin Film and Television Academy (dffb). While there, she studied under Harun Farocki and Hartmut Bitomsky and met Christian Petzold and Thomas Arslan. Together, they formed the so-called first wave of the Berlin School.
Known For
| 2020 | Leçon de cinéma avec Angela SchanelecSelf - Guest | |
| 2015 | Take What You Can CarryAngela | |
| 2014 | A House in Berlin | |
| 2008 | The Cinema of Angela SchanelecHerself | |
| 2007 | AfternoonIrene | |
| 2001 | Passing SummerThomas' geschiedene Frau | |
| 1999 | Dragonland | |
| 1999 | DealerEva | |
| 1997 | Daily ChickenFrau Rötting | |
| 1995 | My Sister’s Good FortuneIsabel | |
| 1994 | Anna Zeit Land | |
| 1994 | I Stayed in Berlin All SummerNadine | |
| 1994 | Berlin, 10:46Freundin | |
| 1991 | Lovely Yellow Color | |
| 1985 | The Death of the White StallionAnna Gall | |
| 1985 | Die WupperMarta | |
| 1984 | The Family or SchroffensteinAgnes |
| 2025 | To talk a long timeExecutive Producer | |
| 2019 | I Was at Home, But...Producer | |
| 2010 | OrlyProducer | |
| 2007 | AfternoonProducer | |
| 1991 | Lovely Yellow ColorProducer |
| 2026 | My Wife CriesDirector | |
| 2023 | MusicDirector | |
| 2019 | I Was at Home, But...Director | |
| 2017 | The Dreamed PathDirector | |
| 2014 | The Bridges of SarajevoDirector | |
| 2010 | OrlyDirector | |
| 2009 | Germany ’09 – 13 Short Films About the State of the NationDirector | |
| 2007 | AfternoonDirector | |
| 2004 | MarseilleDirector | |
| 2002 | Portrait einer ArbeiterinDirector | |
| 2001 | Passing SummerDirector | |
| 1998 | Places in CitiesDirector | |
| 1995 | My Sister’s Good FortuneDirector | |
| 1994 | I Stayed in Berlin All SummerDirector | |
| 1992 | About the AccommodationDirector | |
| 1992 | Far AwayDirector | |
| 1992 | Prague, March ’92Director | |
| 1991 | Lovely Yellow ColorDirector |
| 2026 | My Wife CriesWriter | |
| 2023 | MusicWriter | |
| 2020 | HamletWriter | |
| 2019 | I Was at Home, But...Screenplay | |
| 2017 | The Dreamed PathWriter | |
| 2010 | OrlyWriter | |
| 2007 | AfternoonScreenplay | |
| 2004 | MarseilleWriter | |
| 2001 | Passing SummerWriter | |
| 1998 | Places in CitiesWriter | |
| 1995 | My Sister’s Good FortuneWriter | |
| 1994 | I Stayed in Berlin All SummerWriter | |
| 1992 | About the AccommodationWriter | |
| 1992 | Far AwayWriter | |
| 1992 | Prague, March ’92Writer | |
| 1991 | Lovely Yellow ColorWriter |












