Heinz Emigholz
Known For
Directing
Gender
Male
Birthday
Jan 22, 1948 (78 years old)
Place of Birth
Achim, Germany
Biography
Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series The Basis of Make-Up . He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series Photography and beyond. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin from 1993 to 2013, and co-founded the Institute for Time-based Media and the program Art and Media, there. Since 2012 member of the Academy of Arts in Berlin. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: Krieg der Augen, Kreuz der Sinne (War of Eyes, Cross of Senses), Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), Normalsatz – Siebzehn Filme (Ordinary Sentence – Seventeen Films) and Das schwarze Schamquadrat (The Black Sqare of Shame) (all four books at Verlag Martin Schmitz); Die Basis des Make-Up (I) and (II), Der Begnadete Meier (Grace Jones), Kleine Enzyklopädie der Photographie (Little Encyclopaedia of Photography) and Die Basis des Make-Up (III) (in Die Republik No. 68-71, 76-78, 89-91, 94-97 and 123-125); Sense of Architecture with more than 600 photographs.
Known For
| 2023 | Slaughterhouses of Modernity(voice over) | |
| 2009 | Saturn ReturnsEdgar | |
| 1996 | Bombenwerfer | |
| 1995 | Brother of SleepHaintz | |
| 1993 | StalingradEdgar Emigholz | |
| 1992 | SonsMan with Knife | |
| 1988 | The Meadow of Things | |
| 1985 | Home Movies 1971-81 | |
| 1984 | CommittedDr. Kraus | |
| 1984 | Fury Is a Feeling Too | |
| 1983 | Die blaue DistanzVoice at telephone | |
| 1982 | MacumbaVinzenz Nola | |
| 1982 | Ordinary Sentence | |
| 1979 | Exekution: A Study of MaryNarrator (voice) | |
| 1978 | Four Shadows | |
| 1977 | Der Ort der Handlung | |
| 1976 | Bartleby |
| 2017 | 2 + 2 = 22 [The Alphabet]Producer |
| 2025 | Ecce MoleDirector | |
| 2024 | The SuitDirector | |
| 2023 | Slaughterhouses of ModernityDirector | |
| 2022 | Mamani in El AltoDirector | |
| 2022 | Salamone, PampaDirector | |
| 2021 | AntivillaDirector | |
| 2021 | Casa GollyDirector | |
| 2021 | Berlin [Underground]Director | |
| 2021 | WEISS hoch ZWEIDirector | |
| 2021 | The Last CityDirector | |
| 2020 | The LobbyDirector | |
| 2019 | Years of ConstructionDirector | |
| 2018 | Two BasilicasDirector | |
| 2017 | Streetscapes [Dialogue]Director | |
| 2017 | 2 + 2 = 22 [The Alphabet]Director | |
| 2017 | Dieste [Uruguay]Director | |
| 2016 | Bickels [Socialism]Director | |
| 2016 | Le Corbusier [IIIII] Asger Jorn [Relief]Director | |
| 2014 | The Airstrip - Decampment of Modernism, Part IIIDirector | |
| 2014 | Two MuseumsDirector | |
| 2013 | WinterDirector | |
| 2012 | Parabeton: Pier Luigi Nervi and Roman ConcreteDirector | |
| 2012 | Perret in France and AlgeriaDirector | |
| 2011 | A Series of ThoughtsDirector | |
| 2009 | Sense of ArchitectureDirector | |
| 2009 | Two Projects by Friedrich KieslerDirector | |
| 2009 | Ornament und VerbrechenDirector | |
| 2008 | Loos OrnamentalDirector | |
| 2007 | Schindler's HousesDirector | |
| 2005 | D’Annunzio’s CaveDirector | |
| 2005 | The Basis of Make-Up IIIDirector | |
| 2005 | Miscellanea IIIDirector | |
| 2003 | Goff in the DesertDirector | |
| 2001 | Sullivan's BanksDirector | |
| 2001 | Maillart's BridgesDirector | |
| 2001 | The Basis of Make-Up IIDirector | |
| 2001 | Miscellanea IDirector | |
| 2001 | Miscellanea IIDirector | |
| 1991 | The Holy BunchDirector | |
| 1988 | The Meadow of ThingsDirector | |
| 1985 | Die Basis des Make-UpDirector | |
| 1983 | The Basis of Make-Up IDirector | |
| 1982 | Ordinary SentenceDirector | |
| 1977 | DemonDirector | |
| 1976 | HotelDirector | |
| 1976 | Schenec-Tady IIIDirector | |
| 1976 | Wandsbek GartenstückDirector | |
| 1976 | Cup PieceDirector | |
| 1976 | SchuhstückDirector | |
| 1975 | TideDirector | |
| 1975 | Schenec-Tady IIDirector | |
| 1975 | Stair PieceDirector | |
| 1975 | Brooklyn Bathroom PieceDirector | |
| 1974 | ArrowplaneDirector | |
| 1973 | Schenec-Tady IDirector | |
| - | Innsbruck, March 6th 2023Director |
| 2023 | Slaughterhouses of ModernityWriter | |
| 2022 | Mamani in El AltoScreenplay | |
| 2021 | The Last CityWriter | |
| 2017 | Streetscapes [Dialogue]Writer | |
| 2017 | Dieste [Uruguay]Writer | |
| 2017 | 2 + 2 = 22 [The Alphabet]Writer | |
| 2016 | Bickels [Socialism]Writer | |
| 2011 | A Series of ThoughtsWriter | |
| 2009 | Two Projects by Friedrich KieslerWriter | |
| 2005 | Miscellanea IIIWriter | |
| 2005 | D’Annunzio’s CaveWriter | |
| 2005 | The Basis of Make-Up IIIWriter | |
| 2001 | Maillart's BridgesWriter | |
| 2001 | Miscellanea IIWriter | |
| 2001 | Miscellanea IWriter | |
| 2001 | The Basis of Make-Up IIWriter | |
| 1991 | The Holy BunchScreenplay | |
| 1983 | The Basis of Make-Up IWriter | |
| 1982 | Ordinary SentenceWriter | |
| 1976 | Schenec-Tady IIIWriter | |
| 1975 | Schenec-Tady IIWriter | |
| 1974 | ArrowplaneWriter | |
| 1973 | Schenec-Tady IWriter |
| 2023 | Slaughterhouses of ModernityCinematography | |
| 2022 | Mamani in El AltoCinematography | |
| 2021 | AntivillaCinematography | |
| 2017 | Streetscapes [Dialogue]Cinematography | |
| 2005 | The Basis of Make-Up IIICinematography | |
| 2001 | The Basis of Make-Up IICinematography | |
| 1989 | Virgin MachineThanks | |
| 1984 | CommittedCinematography | |
| 1983 | The Basis of Make-Up ICinematography |













