Veit Harlan
Known For
Directing
Gender
Male
Birthday
Sep 22, 1899 (127 years old)
Place of Birth
Berlin, Germany
Biography
Veit Harlan was born on September 22, 1899 in Berlin, Germany. He was a director and actor, known for Die goldene Stadt (1942), Der große König (1942) and Jud Süß (1940). He was married to Kristina Söderbaum, Hilde Körber and Dora Gerson. He died on April 13, 1964 in Capri, Italy.
Known For
| 2017 | 100 Years of the UFASelf - Filmmaker (archive footage) | |
| 1935 | Joan of ArcPierre | |
| 1935 | StradivariAntonio Stradivari | |
| 1935 | The Red RiderAndreas | |
| 1935 | Nur nicht weich werden, Susanne!Georg Brinkmann | |
| 1935 | Mein Leben für Maria IsabellKorporal | |
| 1934 | Ein Mädchen mit ProkuraSchwartzkopf | |
| 1934 | PaganiniEnrico Tortoni, Mitglied der Truppe Manzetti | |
| 1934 | Police File 909Inose Hironari | |
| 1934 | Der Fall BrenkenDer Unbekannte | |
| 1934 | Farewell Waltz | |
| 1933 | The Anthem of LeuthenPaul | |
| 1933 | TyphoonInose Hironari | |
| 1933 | Die unsichtbare FrontFriseur Jonny | |
| 1932 | FredericaHerzog Karl August von Weimar | |
| 1932 | Schill's eleven officersKlaus Gabain | |
| 1931 | Help! Raid!Otto Weigandt | |
| 1931 | A Woman BrandedEin Student | |
| 1930 | Revolte im ErziehungshausKurt | |
| 1929 | The Somnambulist | |
| 1927 | Die HoseMandelstam | |
| 1927 | The Master of NurembergDavid | |
| 1927 | Eins + Eins = DreiPaul | |
| 1927 | Das Mädchen mit den fünf Nullen |
| 1951 | Eyes of LoveExecutive Producer | |
| 1945 | KolbergProducer | |
| 1943 | ImmenseeProducer | |
| 1942 | The Great KingExecutive Producer | |
| 1942 | The Golden CityProducer |
| 1962 | Die blonde Frau des MaharadschaDirector | |
| 1958 | Liebe kann wie Gift seinDirector | |
| 1958 | I'll Carry You on My HandsDirector | |
| 1957 | The Third SexDirector | |
| 1955 | Verrat an DeutschlandDirector | |
| 1954 | Circus GirlDirector | |
| 1953 | Stars Over ColomboDirector | |
| 1953 | Die blaue StundeDirector | |
| 1951 | Hanna AmonDirector | |
| 1951 | Unsterbliche GeliebteDirector | |
| 1945 | KolbergDirector | |
| 1944 | The Great SacrificeDirector | |
| 1943 | ImmenseeDirector | |
| 1942 | The Great KingDirector | |
| 1942 | The Golden CityDirector | |
| 1941 | Pedro soll hängenDirector | |
| 1940 | Süss, the JewDirector | |
| 1939 | The Journey to TilsitDirector | |
| 1939 | The Immortal HeartDirector | |
| 1938 | Covered TracksDirector | |
| 1938 | YouthDirector | |
| 1937 | My Son the MinisterDirector | |
| 1937 | The SovereignDirector | |
| 1937 | The Kreutzer SonataDirector | |
| 1936 | All for VeronicaDirector | |
| 1936 | Maria, die MagdDirector | |
| 1936 | Kater LampeDirector | |
| 1936 | Der müde TheodorDirector | |
| 1935 | Trouble BackstairsDirector |
| 1954 | Circus GirlWriter | |
| 1953 | Stars Over ColomboWriter | |
| 1951 | Eyes of LoveWriter | |
| 1951 | Hanna AmonWriter | |
| 1945 | KolbergScreenplay | |
| 1944 | The Great SacrificeWriter | |
| 1943 | ImmenseeWriter | |
| 1942 | The Golden CityWriter | |
| 1940 | Süss, the JewWriter | |
| 1939 | The Journey to TilsitWriter | |
| 1938 | Covered TracksScreenplay | |
| 1936 | Maria, die MagdWriter |