Joel Barcellos
Known For
Acting
Gender
Male
Birthday
Nov 27, 1936 (89 years old)
Place of Birth
Vitória, Espírito Santo, Brazil
Biography
Joel Dias Barcellos, better known as Joel Barcelos (Vitória, November 27, 1936 – Rio das Ostras, November 10, 2018), was a Brazilian actor, having also worked as a screenwriter and director. In some films, he was credited as Joel Martins. He was a very active actor in New Cinema, especially in the 1960s. He received the Candango Award for Best Actor at the Brasília Festival for his performance in Jardim de Guerra, in 1968. He was also elected 'Best Supporting Actor' by the same award when acting in Kiss 2348/72. Despite preferring cinema, he also played roles on television, mainly in miniseries.
Known For
| 2019 | Neville D'Almeida: Chronicler of Beauty and ChaosSelf | |
| 2019 | Memórias do Grupo OpiniãoSelf (archive footage) | |
| 2014 | Plano B | |
| 2012 | The Lady from EstacioJoel | |
| 2012 | Aperana Street 52Self | |
| 1997 | Celebração - 100 Anos do Cinema NacionalSelf | |
| 1997 | The Naked Man | |
| 1997 | A Justiceira | |
| 1996 | Vampire EyesVampa | |
| 1995 | Cutie Pie... Her Loves and SinsAprígio | |
| 1993 | Brasília - A Última Utopia | |
| 1993 | Sant'Anna dos Pescadores | |
| 1993 | Secrets of SandChico Belo | |
| 1990 | Kiss 2348/72arquivista | |
| 1989 | Jardim de AlahDanilo | |
| 1988 | Soul's Boundary | |
| 1988 | Sonhei com VocêPistoleiro | |
| 1988 | Presença de MarisaBruno | |
| 1987 | Images of the UnconsciousCarlos Pertuis | |
| 1987 | Arrepio | |
| 1987 | Salvar o Brasil | |
| 1986 | Exu-Piá, Coração de Macunaíma | |
| 1984 | Amenic - Entre o Discurso e a Prática | |
| 1983 | Corações a MilJairo / Dr. Honório | |
| 1982 | The Secret of the Mummy | |
| 1982 | Rio BabiloniaMarciano | |
| 1982 | Luz del FuegoCanário | |
| 1982 | Insônia | |
| 1980 | Crônica À Beira do RioPescador | |
| 1978 | Stop 88Joaquim Porfírio | |
| 1978 | Batalha dos GuararapesConselheiro | |
| 1977 | Anchieta, José do BrasilTibiriçá | |
| 1977 | Encarnação | |
| 1977 | Virgin on the Hill | |
| 1977 | Di Cavalcanti Di GlauberSelf | |
| 1976 | The AgonyAntena, o malandro | |
| 1976 | Feminino Plural | |
| 1974 | Sagarana: O DueloTuríbio Todo | |
| 1974 | France, IncorporatedThe Brazilian | |
| 1974 | Ovelha Negra, Uma Despedida de SolteiroJoão | |
| 1974 | A Man and His CageDelegado | |
| 1974 | Cinema | |
| 1973 | O Picapau AmareloVisconde de Sabugosa | |
| 1971 | The ConformistPupil Prof. Quadri (uncredited) | |
| 1971 | L'inchiesta | |
| 1971 | Rua Descalça | |
| 1971 | Tatu Bola | |
| 1969 | Garden of WarEdson | |
| 1969 | Tropico | |
| 1969 | Copacabana Fools MeMacalé | |
| 1969 | Memories of HelenAndré | |
| 1968 | Journey to the End of the World | |
| 1967 | Satan's Feats in the Village of Take-and-BringPegador de Almas | |
| 1967 | Improvised and Purposeful: Cinema NovoSelf (archive footage) | |
| 1967 | The Girl from IpanemaPaquera | |
| 1967 | Entranced Earth(uncredited) | |
| 1966 | The Big CityInacio | |
| 1965 | The DareCarlos | |
| 1965 | The Deceased | |
| 1965 | My Home Is Copacabana | |
| 1964 | The GunsMan with dead child | |
| 1963 | The Beggars | |
| 1962 | Five Times Favela(segment "Pedreira de São Diego") | |
| - | A Film to Remind Us of UtopiaSelf (archive footage) |
| 1968 | Brasilia, Contradictions of a New CityProduction Manager |
| 1971 | Tatu BolaDirector |
| 1996 | Bahia de Todos os SambasThanks |