Agenore Incrocci
Known For
Writing
Gender
Male
Birthday
Jul 4, 1919 (107 years old)
Place of Birth
Brescia, Lombardy, Italy
Biography
Agenore Incrocci (4 July 1919 – 15 November 2005), best known as Age, was an Italian screenwriter, considered one of the fathers of the commedia all'italiana as one of the two members of the duo Age & Scarpelli, together with Furio Scarpelli. Incrocci was born in Brescia, into a family including several actors, such as his sister Zoe, and spent his youth moving with them to numerous places of Italy. His first work in the cinema world was a dubber for Mario Monicelli's first movie, I ragazzi della Via Paal (1935). Subsequently, he worked for a radio, and in the meantime he started writing comic scripts. He also studied law, but without graduating. He spent the first four years of World War II in France, as a prisoner of the French Army first and, later, of the Wehrmacht. He managed to escape, however, and fought for a year with the US Army. Back from the front, he worked again in the radio and for wrote for theatre and humour magazine. In wrote his first screenplay for I due orfanelli, directed by Mario Mattoli. In 1949 started his famous collaboration with Furio Scarpelli, as the duo Age & Scarpelli. Together with Scarpelli, he worked on a total of 120 Italian movies. These include some of the most famous of all, such as Sergio Leone's The Good, the Bad and the Ugly, Mario Monicelli's I soliti ignoti and many Totò movies. He also worked on some scripts on his own, such as that of Pietro Germi's Divorzio all'italiana. As an actor, he took part to La terrazza by Ettore Scola (screenplay by Age & Scarpelli, of course) and Ecce Bombo by Nanni Moretti. He died in Rome in 2005.
Known For
| 2001 | La strana coppia. Incontro con Age e ScarpelliSelf | |
| 1980 | The TerraceEmilio | |
| 1978 | Ecce BomboProfessore della commissione d'esame (as Age) | |
| 1975 | Les Rendez-vous du dimancheSelf |
| 2002 | The Spring of 2002 - Italy Protests, Italy StopsDirector |
| 2002 | On the Tiger's BackOriginal Film Writer | |
| 2002 | Welcome to CollinwoodOriginal Film Writer | |
| 1999 | BoomScreenplay | |
| 1991 | Il Conte MaxScreenplay | |
| 1988 | Taste of LifeScreenplay | |
| 1985 | Big Deal on Madonna Street 20 Years LaterStory | |
| 1985 | Madman at WarWriter | |
| 1985 | Big Deal on Madonna Street 20 Years LaterScreenplay | |
| 1984 | Good King DagobertWriter | |
| 1983 | A Joke of Destiny, Lying in Wait Around the Corner Like a Street BanditScreenplay | |
| 1983 | Il tassinaroStory | |
| 1983 | Il tassinaroScreenplay | |
| 1982 | Spaghetti HouseScreenplay | |
| 1982 | Spaghetti HouseStory | |
| 1981 | Hotel RoomStory | |
| 1981 | Portrait of a Nude WomanScreenplay | |
| 1981 | Hotel RoomScreenplay | |
| 1980 | The TerraceStory | |
| 1980 | The TerraceScreenplay | |
| 1980 | Hurricane RosieStory | |
| 1980 | Hurricane RosieScreenplay | |
| 1979 | Gros câlinWriter | |
| 1977 | The New MonstersScreenplay | |
| 1977 | The New MonstersStory | |
| 1977 | Double MurderScreenplay | |
| 1976 | Keep It To Yourself!Screenplay | |
| 1976 | Goodnight, Ladies and GentlemenStory | |
| 1976 | Goodnight, Ladies and GentlemenScreenplay | |
| 1976 | Keep It To Yourself!Story | |
| 1975 | The Sunday WomanScreenplay | |
| 1974 | We All Loved Each Other So MuchScreenplay | |
| 1974 | We All Loved Each Other So MuchStory | |
| 1974 | Come Home and Meet My WifeStory | |
| 1974 | Come Home and Meet My WifeScreenplay | |
| 1973 | We Want the ColonelsScreenplay | |
| 1973 | We Want the ColonelsStory | |
| 1973 | Teresa the ThiefScreenplay | |
| 1972 | Without FamilyStory | |
| 1972 | Without FamilyScreenplay | |
| 1971 | That's How We Women AreScreenplay | |
| 1971 | In the Name of the Italian PeopleScreenplay | |
| 1971 | In the Name of the Italian PeopleStory | |
| 1970 | A Drama of Jealousy (and other things)Screenplay | |
| 1970 | Brancaleone at the CrusadesStory | |
| 1970 | Operation SnafuStory | |
| 1970 | Operation SnafuScreenplay | |
| 1970 | Brancaleone at the CrusadesScreenplay | |
| 1968 | Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?Screenplay | |
| 1968 | Torture Me But Kill Me with KissesScreenplay | |
| 1968 | Caprice Italian StyleWriter | |
| 1968 | Torture Me But Kill Me with KissesStory | |
| 1967 | The Tiger and the PussycatStory | |
| 1967 | The Tiger and the PussycatScreenplay | |
| 1967 | The WitchesStory | |
| 1967 | The WitchesScreenplay | |
| 1966 | The Good, the Bad and the UglyScreenplay | |
| 1966 | For Love and GoldScreenplay | |
| 1966 | For Love and GoldStory | |
| 1966 | Our HusbandsStory | |
| 1966 | Our HusbandsScreenplay | |
| 1966 | Me, Me, Me... and the OthersScreenplay | |
| 1966 | The Birds, the Bees and the ItaliansScreenplay | |
| 1965 | Casanova '70Screenplay | |
| 1965 | ComplexesStory | |
| 1965 | Casanova '70Story | |
| 1964 | Summer FrenzyScreenplay | |
| 1964 | High InfidelityStory | |
| 1964 | High InfidelityScreenplay | |
| 1964 | Seduced and AbandonedScreenplay | |
| 1963 | The MonstersStory | |
| 1963 | The MonstersScreenplay | |
| 1963 | The OrganizerScreenplay | |
| 1963 | The OrganizerStory | |
| 1963 | The Teacher from VigevanoScreenplay | |
| 1962 | MafiosoScreenplay | |
| 1962 | The Police CommissionerStory | |
| 1962 | Totò e Peppino divisi a BerlinoStory | |
| 1962 | The Police CommissionerScreenplay | |
| 1962 | March on RomeScreenplay | |
| 1962 | March on RomeStory | |
| 1961 | The Best of EnemiesScreenplay | |
| 1961 | On the Tiger's BackStory | |
| 1961 | On the Tiger's BackDialogue | |
| 1961 | On the Tiger's BackScreenplay | |
| 1960 | The Passionate ThiefStory | |
| 1960 | The Passionate ThiefScreenplay | |
| 1960 | Everybody Go Home!Dialogue | |
| 1960 | Everybody Go Home!Screenplay | |
| 1960 | Everybody Go Home!Story | |
| 1960 | Love and LarcenyStory | |
| 1959 | Fiasco in MilanStory | |
| 1959 | Fiasco in MilanScreenplay | |
| 1959 | Policarpo, ufficiale di scritturaScreenplay | |
| 1959 | Policarpo, ufficiale di scritturaStory | |
| 1959 | First LoveScreenplay | |
| 1959 | First LoveStory | |
| 1959 | The Great WarScreenplay | |
| 1959 | The Great WarDialogue | |
| 1959 | The Great WarStory | |
| 1958 | Big Deal on Madonna StreetStory | |
| 1958 | Big Deal on Madonna StreetScreenplay | |
| 1958 | March's ChildScreenplay | |
| 1958 | Totò, Peppino e le fanaticheStory | |
| 1958 | The Law Is the LawScreenplay | |
| 1958 | Totò, Peppino e le fanaticheScreenplay | |
| 1957 | Fathers and SonsStory | |
| 1957 | Doctor and the HealerScreenplay | |
| 1957 | Fathers and SonsScreenplay | |
| 1957 | It Happened in RomeStory | |
| 1957 | It Happened in RomeScreenplay | |
| 1957 | Doctor and the HealerStory | |
| 1956 | Time of VacationScreenplay | |
| 1956 | Peccato di castitàScreenplay | |
| 1956 | The Band of Honest MenScreenplay | |
| 1956 | The Band of Honest MenStory | |
| 1956 | The BigamistScreenplay | |
| 1956 | A Mink CoatScreenplay | |
| 1955 | Toto and CarolinaScreenplay | |
| 1955 | The Young Ladies of 04Screenplay | |
| 1955 | The Young Ladies of 04Story | |
| 1955 | BravissimoScreenplay | |
| 1955 | BravissimoStory | |
| 1955 | Roman TalesDialogue | |
| 1955 | Roman TalesScreenplay | |
| 1954 | House of RicordiScreenplay | |
| 1954 | House of RicordiStory | |
| 1954 | Casta divaScreenplay | |
| 1954 | Casta divaStory | |
| 1954 | The Anatomy of LoveStory | |
| 1953 | Gli uomini, che mascalzoni!Screenplay | |
| 1953 | Ghost CaptainScreenplay | |
| 1953 | Cinema of yesteryearStory | |
| 1953 | Cinema of yesteryearScreenplay | |
| 1953 | L'Incantevole nemicaStory | |
| 1953 | Neopolitans in MilanScreenplay | |
| 1953 | Neopolitans in MilanStory | |
| 1953 | It Happened in the ParkScreenplay | |
| 1953 | Ivan, il figlio del diavolo biancoScreenplay | |
| 1953 | Saluti e baciStory | |
| 1953 | Saluti e baciScreenplay | |
| 1952 | I tre corsariScreenplay | |
| 1952 | Il segreto delle tre punteScreenplay | |
| 1952 | Il segreto delle tre punteStory | |
| 1952 | Toto and the WomenStory | |
| 1952 | Toto and the WomenScreenplay | |
| 1952 | Ragazze da maritoStory | |
| 1952 | L'eroe sono ioScreenplay | |
| 1952 | L'eroe sono ioStory | |
| 1952 | Totó in colorScreenplay | |
| 1952 | Ragazze da maritoScreenplay | |
| 1951 | Una bruna indiavolata!Story | |
| 1951 | Rome-Paris-RomeStory | |
| 1951 | Rome-Paris-RomeScreenplay | |
| 1951 | Toto the Third ManScreenplay | |
| 1951 | Seven Hours of TroublesScreenplay | |
| 1951 | Position WantedScreenplay | |
| 1951 | Ours are comingScreenplay | |
| 1951 | Ours are comingStory | |
| 1951 | Milano miliardariaStory | |
| 1951 | Milano miliardariaScreenplay | |
| 1951 | Greetings and sons!Story | |
| 1951 | Greetings and sons!Screenplay | |
| 1951 | O.K. NeroScreenplay | |
| 1950 | I cadetti di GuascognaScreenplay | |
| 1950 | Totò Looking for WifeScreenplay | |
| 1950 | Totò Looking for WifeStory | |
| 1950 | Figaro qua... Figaro làStory | |
| 1950 | TototarzanScreenplay | |
| 1950 | Figaro qua... Figaro làScreenplay | |
| 1950 | Toto the SheikStory | |
| 1950 | 47 Talking CorpsesScreenplay | |
| 1950 | I cadetti di GuascognaStory | |
| 1950 | Vivere a sbafoWriter | |
| 1950 | Il vedovo allegroScreenplay | |
| 1950 | Toto the SheikScreenplay | |
| 1949 | Totò Looking for a HouseScreenplay | |
| 1947 | Two Little OrphansStory | |
| 1947 | Two Little OrphansScreenplay |



