Monty Banks
Known For
Directing
Gender
Male
Birthday
Jul 14, 1897 (129 years old)
Place of Birth
Cesena, Forlì-Cesena, Emilia-Romagna, Italy
Biography
Monty Banks was a short, stocky but somehow debonair Italian-born comic actor, later also writer and director. In the US from 1914, he first appeared on stage in musical comedy and cabaret. By 1917 he was working as a dancer in New York's Dominguez Cafe. After this he turned to films, acting and doing stunt work at Keystone, Universal and for Al Christie. Changing his name from Mario Bianchi to Monty Banks may have been prompted by Roscoe 'Fatty' Arbuckle as a passing reference to his playing '"montebanks". By 1919 Banks had moved to Vitagraph to play a villain in The Grocery Clerk (1919), foil to star comic Larry Semon. Banks first came to the fore in his own right as star of the "Welcome Comedies" made by Warner Brothers. He spent the early 1920s at Fox and Grand Asher, graduating to writing and directing two-reel comedies with himself as the star. Most noteworthy entries in regard to inventive sight gags and Mack Sennett--style madcap plots are Pay or Move (1924) and The Golf Bug (1924). The success of this series prompted Banks to create an independent production company, the Monty Banks Pictures Corporation, in conjunction with writer/director Howard Estabrook. He made several feature-length films for Pathe, including Play Safe (1927)) (generally considered his best work), which featured a climactic runaway train sequence. This style of fast-action slapstick made it inevitable that Banks suffered more than his fair share of injuries, especially since he continued to do many of his own stunts. From the late 1920s Banks worked in England and made several appearances in sound films. However, his accent proved to be something of an obstacle. He therefore decided, after 1930, to concentrate on directing and producing. He helmed four features starring the popular entertainer Gracie Fields, who became his second wife in 1940. In 1935 he directed a well-received George Formby comedy, No Limit (1935), about the TT motorcycle races on the Isle of Man, which were shot on location there. With the outbreak of World War II Banks--being an Italian citizen--would have faced internment in England as an enemy alien. He therefore deemed it necessary to flee to Canada, and from there to the neutral United States. He eventually obtained American citizenship, for which he had applied years earlier, but had forgotten to submit the necessary paperwork. Back in Hollywood he ended up at 20th Century-Fox, directing Stan Laurel and Oliver Hardy in Great Guns (1941), arguably one of their lesser efforts. Banks died of a heart attack during a trip through Italy in January 1950, aged just 52. Sadly, the majority of his one- and two-reelers are now considered lost films. As a result, his status as a leading comic of the silent screen may have somewhat diminished--except, perhaps, in his home town of Cesena, where a foundation was established in his honor (the "Aula Didattica Monty Banks"), offering students "practical courses on experimental aspects of video production".
Known For
| 1961 | Days of Thrills and LaughterSelf (archive footage) | |
| 1952 | Elstree StoryHimself | |
| 1951 | The Slappiest Days of Our Lives(archive footage) | |
| 1945 | A Bell for AdanoGiuseppe | |
| 1941 | Blood and SandAntonio Lopez | |
| 1940 | Olympic HoneymoonOrban | |
| 1939 | Shipyard Sally | |
| 1936 | Queen of HeartsMontague Banking | |
| 1935 | So You Won't TalkTony | |
| 1935 | Man of the MomentDoctor | |
| 1934 | Falling in LoveFilm Director | |
| 1934 | The Church MouseHarry Blump, the Window Washer (uncredited) | |
| 1934 | The Girl in PossessionCaruso | |
| 1933 | You Made Me Love YouTaxi Driver (uncredited) | |
| 1933 | Heads We GoChauffeur | |
| 1933 | Leave It to Me | |
| 1932 | For the Love of MikeChef | |
| 1931 | Tonight's the Night - Pass It OnConvict | |
| 1929 | The Compulsory HusbandMonty | |
| 1929 | Week-End WivesMax Ammon | |
| 1929 | AtlanticDandy | |
| 1928 | Adam's AppleMonty Adams | |
| 1928 | A Perfect GentlemanMonty Brooks | |
| 1927 | Play SafeThe Boy | |
| 1927 | Chasing Choo ChoosMonty | |
| 1927 | Flying LuckThe Boy | |
| 1927 | Horse ShoesMonty Milde | |
| 1926 | Atta BoyMonty Milde | |
| 1925 | Africa F.O.B.Monty Banks, the Stranger | |
| 1925 | Keep SmilingThe Boy | |
| 1924 | Pay or MoveMonty | |
| 1924 | Wedding BellsThe Groom | |
| 1924 | Hot Sands | |
| 1924 | A Wild Goose ChaseMonty | |
| 1924 | Home Cooking | |
| 1924 | The Golf BugMonty | |
| 1923 | The Covered SchoonerThe Boy | |
| 1923 | Oils Well!Monty, the Office Force | |
| 1923 | Always Late | |
| 1923 | Six A.M. | |
| 1923 | Love's HandicapThe Watchful Waiter | |
| 1923 | Paging LoveThe Encyclopedia Salesman | |
| 1923 | Taxi PleaseThe Taxi Driver | |
| 1922 | Derby Day | |
| 1922 | Brilliantine the Bull FighterAdolph Brilliantino | |
| 1921 | A Bedroom ScandalA Husband | |
| 1921 | Where Is My Wife?The Jealous Husband | |
| 1921 | Fresh AirThe boy | |
| 1921 | Cleaned and DryThe Dry Cleaner Delivery Wagon Driver | |
| 1921 | In and OutMr. Newlywed | |
| 1920 | The GarageMan with Dog (uncredited) | |
| 1920 | Nearly MarriedCount Up / Mac Aroni | |
| 1920 | A Flivver WeddingThe Boy | |
| 1919 | The Grocery ClerkThe Tow Gusher, a 'He Vamp' | |
| 1919 | Don't Park HereA Rival | |
| 1919 | LoveFarmhand | |
| 1919 | One Night Only | |
| 1919 | Coppers and ScentsSherlock McNutt | |
| 1919 | Her First False HareUnnamed | |
| 1919 | Too Much JohnsonLeon Dathis | |
| 1919 | Camping Out | |
| 1919 | The Head WaiterDinning Customer | |
| 1918 | A Scrap of PaperSoldier | |
| 1918 | A Blind PigFrench Salesman | |
| 1918 | The Belles of LibertyHarold Hatband (Son) as Frenchie Bianchi | |
| 1918 | The Sheriff | |
| 1918 | Did She Do Wrong? | |
| 1916 | The Purple MaskJack Elliot & Jacques, Patricia's Butler (as Mario Bianchi) | |
| 1916 | Cold Hearts and Hot Flames | |
| - | Squirrel FoodThe Jailbird |
| 1931 | Old Soldiers Never DieProducer | |
| 1931 | What a Night!Producer | |
| 1927 | Horse ShoesExecutive Producer | |
| 1926 | Atta BoyExecutive Producer | |
| 1924 | Pay or MoveProducer | |
| 1923 | Oils Well!Producer |
| 1941 | Great GunsDirector | |
| 1939 | Shipyard SallyDirector | |
| 1938 | Keep SmilingDirector | |
| 1938 | We're Going to Be RichDirector | |
| 1936 | Keep Your Seats, PleaseDirector | |
| 1936 | Queen of HeartsDirector | |
| 1935 | No LimitDirector | |
| 1935 | Man of the MomentDirector | |
| 1935 | 18 MinutesDirector | |
| 1935 | Hello, SweetheartDirector | |
| 1935 | Father and SonDirector | |
| 1934 | The Church MouseDirector | |
| 1934 | Falling in LoveDirector | |
| 1934 | Votre sourireDirector | |
| 1934 | The Girl in PossessionDirector | |
| 1933 | Leave It to MeDirector | |
| 1933 | You Made Me Love YouDirector | |
| 1933 | Heads We GoDirector | |
| 1932 | For the Love of MikeDirector | |
| 1932 | Money for NothingDirector | |
| 1932 | Love and LuckDirector | |
| 1931 | Tonight's the Night - Pass It OnDirector | |
| 1931 | Old Soldiers Never DieDirector | |
| 1931 | Poor Old BillDirector | |
| 1931 | What a Night!Director | |
| 1931 | My Wife's FamilyDirector | |
| 1930 | The Jerry BuildersDirector | |
| 1930 | Why Sailors Leave HomeDirector | |
| 1930 | The Black Hand GangDirector | |
| 1930 | Almost a HoneymoonDirector | |
| 1930 | Amateur Night in LondonDirector | |
| 1930 | Eve's FallDirector | |
| 1930 | His First CarDirector | |
| 1930 | Kiss Me SergeantDirector | |
| 1930 | The Musical Beauty ShopDirector | |
| 1930 | The New WaiterDirector | |
| 1930 | Not So Quiet on the Western FrontDirector | |
| 1929 | The Compulsory HusbandDirector | |
| 1928 | CocktailsDirector | |
| 1924 | Hot SandsDirector |
| 1940 | Olympic HoneymoonWriter | |
| 1934 | The Girl in PossessionWriter | |
| 1932 | The TenderfootAdaptation | |
| 1930 | Almost a HoneymoonWriter | |
| 1930 | Amateur Night in LondonWriter | |
| 1927 | Chasing Choo ChoosStory | |
| 1927 | Play SafeStory | |
| 1927 | Horse ShoesScreenplay | |
| 1927 | Horse ShoesStory | |
| 1925 | Keep SmilingWriter |







