Rex Ingram
Known For
Directing
Gender
Male
Birthday
Jan 15, 1892 (134 years old)
Place of Birth
Dublin, Ireland
Biography
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young Michael Powell.
Known For
| 1933 | BaroudAndré Duval | |
| 1926 | Camille: The Fate of a CoquetteCharles Stewart Parnell | |
| 1923 | Mary of the Movies(uncredited) | |
| 1915 | Snatched from a Burning DeathChandler, the lover | |
| 1915 | The Evil Men DoMargaret's Companion | |
| 1914 | The Moonshine Maid and the Man | |
| 1913 | Beau Brummel |
| 1933 | BaroudProducer | |
| 1929 | L'évadéeProducer | |
| 1926 | The MagicianProducer | |
| 1926 | Mare NostrumProducer | |
| 1923 | ScaramoucheProducer | |
| 1922 | The Prisoner of ZendaProducer | |
| 1921 | The Conquering PowerProducer | |
| 1920 | Shore AcresProducer |
| 1933 | BaroudDirector | |
| 1932 | BaroudDirector | |
| 1928 | The Three PassionsDirector | |
| 1927 | The Garden of AllahDirector | |
| 1926 | The MagicianDirector | |
| 1926 | Mare NostrumDirector | |
| 1924 | The ArabDirector | |
| 1923 | ScaramoucheDirector | |
| 1923 | Where the Pavement EndsDirector | |
| 1922 | The Prisoner of ZendaDirector | |
| 1922 | Trifling WomenDirector | |
| 1922 | Turn to the RightDirector | |
| 1921 | The Four Horsemen of the ApocalypseDirector | |
| 1921 | The Conquering PowerDirector | |
| 1920 | Under Crimson SkiesDirector | |
| 1920 | Shore AcresDirector | |
| 1920 | Hearts Are TrumpsDirector | |
| 1919 | The Day She PaidDirector | |
| 1918 | Humdrum BrownDirector | |
| 1918 | His Robe of HonorDirector | |
| 1917 | Black OrchidsDirector | |
| 1917 | The Flower of DoomDirector | |
| 1917 | The Reward of the FaithlessDirector | |
| 1917 | The Little TerrorDirector | |
| 1917 | The Pulse of LifeDirector | |
| 1916 | The Chalice of SorrowDirector | |
| 1916 | The Great ProblemDirector | |
| 1916 | Broken FettersDirector |
| 1932 | BaroudWriter | |
| 1928 | The Three PassionsWriter | |
| 1926 | The MagicianAdaptation | |
| 1926 | The MagicianScreenplay | |
| 1924 | The ArabWriter | |
| 1923 | Where the Pavement EndsAdaptation | |
| 1922 | Trifling WomenWriter | |
| 1917 | Black OrchidsScenario Writer | |
| 1917 | The Reward of the FaithlessScenario Writer | |
| 1917 | The Little TerrorStory | |
| 1917 | The Pulse of LifeWriter | |
| 1917 | The Flower of DoomWriter | |
| 1916 | Broken FettersScreenplay | |
| 1916 | The Chalice of SorrowWriter | |
| 1916 | Broken FettersScenario Writer | |
| 1916 | The Great ProblemScenario Writer | |
| 1916 | The Great ProblemWriter | |
| 1915 | The Song of HateWriter | |
| 1915 | The Galley SlaveWriter | |
| 1915 | The Wonderful AdventureScenario Writer | |
| 1915 | Should a Mother TellScenario Writer | |
| 1915 | Should a Mother TellStory |





