Charles Brackett
Known For
Writing
Gender
Male
Birthday
Nov 26, 1892 (133 years old)
Place of Birth
Saratoga Springs, New York, USA
Biography
Charles William Brackett (November 26, 1892 – March 9, 1969) was an American novelist, screenwriter, and film producer. He collaborated with Billy Wilder on sixteen films. Brackett was born in Saratoga Springs, New York, the son of Mary Emma Corliss and New York State Senator, lawyer, and banker Edgar Truman Brackett. The family's roots traced back to the arrival of Richard Brackett in the Massachusetts Bay Colony in 1629, near present-day Springfield, Massachusetts. His mother's uncle, George Henry Corliss, built the Centennial Engine that powered the 1876 Centennial Exposition in Philadelphia. A 1915 graduate of Williams College, he earned his law degree from Harvard University. He joined the Allied Expeditionary Force during World War I. He was awarded the French Medal of Honor. He was a frequent contributor to the Saturday Evening Post, Collier's, and Vanity Fair, and a drama critic for The New Yorker. He wrote five novels: The Counsel of the Ungodly (1920), Week-End (1925), That Last Infirmity (1926), and American Colony (1929). and Entirely Surrounded (1934). Brackett was a president of the Screen Writers Guild (1938–1939) and the Academy of Motion Picture Arts and Sciences (1949–1955). He either wrote and/or produced over forty films, including To Each His Own, Ninotchka, The Major and the Minor, The Mating Season (1951), Niagara, The King and I, Ten North Frederick, The Remarkable Mr. Pennypacker, and Blue Denim. Beginning in August 1936, Brackett worked with Billy Wilder, writing the film classics The Lost Weekend and Sunset Boulevard, both of which won Academy Awards for their respective screenplays. Brackett described their collaboration process as follows: "The thing to do was suggest an idea, have it torn apart and despised. In a few days, it would be apt to turn up, slightly changed, as Wilder's idea. Once I got adjusted to that way of working, our lives were simpler." His partnership with Wilder ended in 1950 and Brackett went to work at 20th Century-Fox as a screenwriter and producer. His script for Titanic (1953) won him another Academy Award. He received an Honorary Oscar for Lifetime Achievement in 1958. Charles Brackett died on March 9, 1969. His diaries covering his screenwriting and social life from 1932 to 1949 were edited by Anthony Slide into Slide's book It's the Pictures That Got Small: Charles Brackett on Billy Wilder and Hollywood's Golden Age.
Known For
| 1953 | The OscarsSelf | |
| 1950 | The Screen WriterSelf (uncredited) |
| 1962 | State FairProducer | |
| 1960 | High TimeProducer | |
| 1959 | Journey to the Center of the EarthProducer | |
| 1959 | The Remarkable Mr. PennypackerProducer | |
| 1959 | Blue DenimProducer | |
| 1958 | The Gift of LoveProducer | |
| 1958 | Ten North FrederickProducer | |
| 1957 | The Wayward BusProducer | |
| 1956 | The King and IProducer | |
| 1956 | D-Day the Sixth of JuneProducer | |
| 1956 | Teenage RebelProducer | |
| 1955 | The Girl in the Red Velvet SwingProducer | |
| 1955 | The Virgin QueenProducer | |
| 1954 | Garden of EvilProducer | |
| 1954 | Woman's WorldProducer | |
| 1953 | TitanicProducer | |
| 1953 | NiagaraProducer | |
| 1951 | The Model and the Marriage BrokerProducer | |
| 1951 | The Mating SeasonProducer | |
| 1950 | Sunset BoulevardProducer | |
| 1948 | The Emperor WaltzProducer | |
| 1948 | Miss Tatlock's MillionsProducer | |
| 1948 | A Foreign AffairProducer | |
| 1946 | To Each His OwnProducer | |
| 1945 | The Lost WeekendProducer | |
| 1944 | The UninvitedProducer | |
| 1943 | Five Graves to CairoAssociate Producer |
| 1944 | Skirmish on the Home FrontDirector |
| 1959 | Journey to the Center of the EarthScreenplay | |
| 1956 | Teenage RebelScreenplay | |
| 1955 | The Girl in the Red Velvet SwingScreenplay | |
| 1953 | TitanicScreenplay | |
| 1953 | NiagaraWriter | |
| 1951 | The Model and the Marriage BrokerWriter | |
| 1951 | The Mating SeasonWriter | |
| 1950 | Sunset BoulevardScreenplay | |
| 1950 | Edge of DoomWriter | |
| 1948 | A Foreign AffairScreenplay | |
| 1948 | The Emperor WaltzWriter | |
| 1948 | Miss Tatlock's MillionsScreenplay | |
| 1948 | A Song Is BornOriginal Film Writer | |
| 1946 | To Each His OwnStory | |
| 1946 | To Each His OwnScreenplay | |
| 1945 | The Lost WeekendScreenplay | |
| 1945 | Masquerade in MexicoOriginal Film Writer | |
| 1943 | Five Graves to CairoScreenplay | |
| 1942 | The Major and the MinorWriter | |
| 1941 | Ball of FireScreenplay | |
| 1941 | Hold Back the DawnWriter | |
| 1940 | Arise, My LoveScreenplay | |
| 1939 | NinotchkaScreenplay | |
| 1939 | MidnightScreenplay | |
| 1939 | What a LifeScreenplay | |
| 1938 | Bluebeard's 8th WifeScreenplay | |
| 1938 | That Certain AgeWriter | |
| 1937 | Live, Love and LearnScreenplay | |
| 1936 | Piccadilly JimWriter | |
| 1936 | Rose of the RanchoScreenplay | |
| 1936 | Woman TrapStory | |
| 1935 | Without RegretWriter | |
| 1935 | College ScandalScreenplay | |
| 1935 | Enter MadameWriter | |
| 1935 | The Last OutpostAdaptation | |
| 1931 | Secrets of a SecretaryStory | |
| 1929 | Pointed HeelsShort Story | |
| 1926 | Risky BusinessStory | |
| 1925 | Tomorrow's LoveStory | |
| - | Sunset BoulevardOriginal Film Writer |
| 1947 | The Bishop's WifeAdditional Writing | |
| 1933 | Little WomenAdditional Writing |
