León Klimovsky
Known For
Directing
Gender
Male
Birthday
Oct 17, 1906 (119 years old)
Place of Birth
Buenos Aires, Argentina
Biography
From Wikipedia, the free encyclopedia. León Klimovsky (16 October 1906–8 April 1996) was an Argentine film director. A trained dentist, born in Buenos Aires, his real passion was always the cinema. He pioneered Argentine cultural movement known as cineclub and financed the first movie theater to show art movies. He also founded Argentina's first film club in 1929. After participating as scriptwriter and assistant director of 1944's Se abre el abismo he filmed his first movie, an adaptation of Fyodor Dostoyevsky's The Player. From this first phase, it can be also highlighted the adaptations of Alexandre Dumas' The Count of Monte Cristo and Ernesto Sabato's The Tunnel. On the 1950s Klimovsky settled in Spain, where he becomes a "professional" director. He went into spaghetti westerns and so-called exploitation films, filming in Mexico, Italy and Egypt. Perhaps he is best remembered for his contribution to Spain's horror film genre, beginning with La noche de Walpurgis. León Klimovsky confessed to have always dreamt of doing great vanguard movies but ended on filming commercial ones, but without remorse, as doing cinema was a vocational mandate for him. On 1995 he won the "Honor Award" of the Spanish Film Director Association. He died in Madrid of a heart attack. He was brother to the Argentine mathematician and philosopher Gregorio Klimovsky. Description above from the Wikipedia article León Klimovsky, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
| 1992 | Amo tu cama ricaTornatto | |
| 1991 | El robobo de la jojoya | |
| 1988 | The Brother from SpaceDr. Craig | |
| 1985 | The Sea SerpentDr. Moore | |
| 1984 | The Most Beautiful Night | |
| 1984 | Dos mejor que unoLibrero | |
| 1982 | Cristóbal Colón, de oficio... descubridor | |
| 1981 | MaravillasSantos | |
| 1979 | El sexo ataca (1ª jornada)Chochoffsky | |
| 1976 | Amor casi... libreRepresentante de Foscafé (uncredited) | |
| 1974 | I Saw Her FirstFaustino | |
| 1959 | S.O.S., abuelita |
| 1975 | Death of a HoodlumProducer | |
| 1951 | La vida color de rosaProduction Director | |
| 1948 | Rodríguez supernumerarioProducer |
| 1979 | The ShackDirector | |
| 1979 | La BarracaDirector | |
| 1978 | TraumaDirector | |
| 1977 | ¿Y ahora qué, señor fiscal?Director | |
| 1977 | Three Days in NovemberDirector | |
| 1976 | The People Who Own the DarkDirector | |
| 1976 | The KidnappingDirector | |
| 1975 | A Dragonfly for Each CorpseDirector | |
| 1975 | The Night of the Walking DeadDirector | |
| 1975 | Death of a HoodlumDirector | |
| 1974 | The Devil's PossessedDirector | |
| 1974 | I Hate My BodyDirector | |
| 1974 | Mean MotherDirector | |
| 1973 | The Dracula SagaDirector | |
| 1973 | Vengeance of the ZombiesDirector | |
| 1973 | The Vampires' Night OrgyDirector | |
| 1972 | Dr. Jekyll and the WerewolfDirector | |
| 1972 | La casa de las ChivasDirector | |
| 1972 | El hombre que vino del odioDirector | |
| 1971 | The Werewolf Versus the Vampire WomanDirector | |
| 1971 | Hands Up, Dead Man! You're Under ArrestDirector | |
| 1970 | Reverend's ColtDirector | |
| 1970 | Challenge of McKennaDirector | |
| 1970 | Los hombres las prefieren viudasDirector | |
| 1969 | Quinto: Fighting ProudDirector | |
| 1969 | Quel maledetto ponte sull'ElbaDirector | |
| 1969 | A Bullet for RommelDirector | |
| 1968 | Death Knows No TimeDirector | |
| 1968 | Seven Into HellDirector | |
| 1967 | Rattler KidDirector | |
| 1967 | Die Easy in GhentarDirector | |
| 1966 | Two Thousand Dollars for CoyoteDirector | |
| 1966 | Una chica para dosDirector | |
| 1966 | A Few Dollars for DjangoDirector | |
| 1965 | La colina de los pequeños diablosDirector | |
| 1964 | Her and FearDirector | |
| 1964 | Escala en TenerifeDirector | |
| 1964 | Billy the KidDirector | |
| 1964 | Aquella joven de blancoDirector | |
| 1962 | School of SeductressesDirector | |
| 1962 | Horizontes de luzDirector | |
| 1962 | Torrejón CityDirector | |
| 1962 | Todos eran culpablesDirector | |
| 1960 | Un bruto para PatriciaDirector | |
| 1960 | La paz empieza nuncaDirector | |
| 1960 | Ama RosaDirector | |
| 1960 | El hombre que perdió el trenDirector | |
| 1960 | Un tipo de sangreDirector | |
| 1959 | Llegaron los francesesDirector | |
| 1959 | S.O.S., abuelitaDirector | |
| 1959 | Salto a la gloriaDirector | |
| 1958 | Un indiano en MoratillaDirector | |
| 1957 | Desert WarriorDirector | |
| 1956 | Viaje de noviosDirector | |
| 1956 | MiedoDirector | |
| 1955 | The Miller's Saucy WifeDirector | |
| 1955 | El tren expresoDirector | |
| 1955 | El juramento de LagardereDirector | |
| 1954 | 3 citas con el destinoDirector | |
| 1953 | The Count of Monte CristoDirector | |
| 1952 | La parda FloraDirector | |
| 1952 | The TunnelDirector | |
| 1951 | La vida color de rosaDirector | |
| 1951 | SuburbioDirector | |
| 1951 | El pendienteDirector | |
| 1950 | The Marihuana StoryDirector | |
| 1949 | Se llamaba Carlos GardelDirector | |
| 1949 | La Guitarra de GardelDirector | |
| 1947 | El jugadorDirector | |
| 1945 | Una mujer sin importanciaScript Supervisor | |
| 1945 | Se abre el abismoAssistant Director |
| 1974 | I Hate My BodyStory | |
| 1970 | Challenge of McKennaScreenplay | |
| 1970 | A Lady Called AndrewWriter | |
| 1962 | Torrejón CityWriter | |
| 1962 | Todos eran culpablesDialogue | |
| 1962 | Horizontes de luzWriter | |
| 1960 | Un bruto para PatriciaWriter | |
| 1960 | La paz empieza nuncaWriter | |
| 1960 | Ama RosaWriter | |
| 1959 | S.O.S., abuelitaWriter | |
| 1958 | Un indiano en MoratillaWriter | |
| 1955 | El tren expresoWriter | |
| 1953 | The Count of Monte CristoScreenplay | |
| 1952 | La parda FloraWriter | |
| 1952 | The TunnelWriter | |
| 1949 | La Guitarra de GardelScreenplay | |
| 1947 | Siete para un secretoScreenplay | |
| 1947 | The Mysterious Uncle SilasWriters' Assistant | |
| 1946 | Tres millones... y el amorWriter | |
| 1946 | Albergue de mujeresWriter | |
| 1945 | Se abre el abismoWriter |











